An aviatrix emerges from the jungle looking as young as she was when her plane went down many years before. Unscrupulous hunters discover that this is due to a secret fountain of youth. ... See full summary »
The scenario follows the book closely. Tarzan's son Jack (Korak to the apes) is kidnapped from England by Tarzan's old enemy Paulovich. He escapes into the African jungle with the help of ... See full summary »
Arthur J. Flaven,
Kamuela C. Searle,
P. Dempsey Tabler,
Zandra, white princess of a lost civilization, comes to Tarzan for help when Nazis invade the jungle with plans to conquer her people and take their wealth. Tarzan, the isolationist, ... See full summary »
An African tribe devoted to the leopard cult is dedicated to preventing civilization from moving further into Africa. Tarzan fights them when the cult first attacks a caravan and next ... See full summary »
Tarzan must escort his prisoner Coy Banton out of the jungle to the authorities. The boat is blown up by Coy's father and brothers. In addition to Coy Tarzan must now lead five more of the ... See full summary »
White hunter Captain Fry tries to take Tarzan back to civilization, caged for public display. He arrives in the jungle with Jane's cousins, Eric and Rita who want Jane's help in claiming a fortune left her. Written by
Ed Stephan <firstname.lastname@example.org>
My second Tarzan double-feature slot and the cracks are beginning to show! That said, TARZAN ESCAPES (1936; ***) is much better than online reviews would have you believe: true, there is ample stock footage on display here but it also boasts a strong plot line and cast (featuring Benita Hume, future wife of Ronald Colman and later George Sanders, as well as MGM staple Herbert Mundin and James Whale favorite E.E. Clive, not to mention the villainous John Buckler who comes to a particularly sticky end in this one) to even things out. By now, Weissmuller and O' Sullivan have grown considerably in their respective parts but the influence of the Hays' Office (established while the film was in production, resulting in extensive re-shoots before it could be classified for exhibition!) is also very much in evidence: Tarzan and Jane's behavior (to say nothing of the latter's 'wardrobe') is rather chaste this time around, and even the violence is there mainly by virtue of recycled scenes from the two previous entries in the series!!
TARZAN FINDS A SON! (1939; **1/2), though certainly briskly-paced and fairly enjoyable in itself, is where things really start to degenerate and a sense of deja'-vu hangs over the proceedings like a cloud; not that this factor is an isolated case in franchises of this period consider, for instance, the noticeable leap in quality from the ornate SON OF FRANKENSTEIN (1939) to a strictly programmer-level THE GHOST OF FRANKENSTEIN (1942) To make matters worse (though, I guess, this can be pinned down to personal opinion), we have here the addition of another jungle 'initiate' in the figure of Boy who emulates Tarzan in his every move, down to that grating yodel! Besides, his getting into endless predictable scrapes throughout, forcing Tarzan's nick-of-time intervention and queuing in further stock footage from the earlier films (now looking pretty rough-hewn alongside the lavish budgets MGM could afford by the end of the decade!), does the picture no favors at all in the story department!! Logic, too, is casually thrown out the window: the film opens with a plane crash-landing (i.e. before reaching its intended destination), yet when a search party is set in motion (5 years after the fact, conveniently allowing Boy to grow up and become attached to the Tarzans!), its members (invariably harboring an agenda of their own) go directly to the supposedly forbidden/secret part of the jungle where the Lord Of The Apes has set up residence sheesh!! Once again, the familiar cast-list adds to the fun, though it has to be said that Ian Hunter (usually playing the reliable type) makes for an unconvincing villain in this one.
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