6.3/10
94
6 user 2 critic

Sworn Enemy (1936)

Approved | | Crime, Drama, Romance | 11 September 1936 (USA)

Director:

Writers:

, (story "It's All in the Racket")
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Cast

Complete credited cast:
...
...
...
Joe Emerald
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Doctor Simon 'Doc' Gattle
...
'Steamer' Krupp
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District Attorney Paul Scott
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Eli Decker
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'Dutch' McTurck
...
Lang, a Gangster
...
Simmons
...
Steve Sherman
...
Hinkle, a Gangster
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Storyline

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Genres:

Crime | Drama | Romance

Certificate:

Approved
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Details

Country:

Language:

Release Date:

11 September 1936 (USA)  »

Also Known As:

Inimigo Maldito  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This film was initially telecast in Los Angeles Wednesday 5 March 1958 on KTTV (Channel 11), followed by Philadelphia Sunday 4 May 1958 on WFIL (Channel 6), followed by San Francisco 20 May 1958 on Channel 7); it finally found its way to New York City where it was first aired 7 June 1962 on The Late Show on WCBS (Channel 2). See more »

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User Reviews

 
Mainly routine, but keep watching till the end
21 July 2006 | by See all my reviews

For the most part, this is a competently made (great sets, and the editing is particularly crisp) but uninspired melodrama about a steadfast Average Joe standing up to the racketeers who have wronged him. But I have some advice -- don't give up on it too soon (as I nearly did).

The opening 50 minutes are pretty much seen-it-all-before, middle-of-the road MGM stuff, but suddenly in the last reel things perk up immensely. First, we have a beautifully designed and psychologically poignant scene explaining the chief villain's desire to back an up-and-coming fighter. This is followed by the movie's real knock-out punch -- Florence Rice, up to this point the stereotypical pretty-and-loyal girlfriend, agrees to help infiltrate the mob by auditioning as a chorus girl at their club. She adopts the guise of a sexy champagne-swilling dame keen on seducing the crime boss. Although she expresses slight reluctance at first, one surmises that she secretly revels in being such hot stuff in her sexy new togs. Soon, a couple of sips of bubbly have her diving into her role so enthusiastically that the sequence is absolutely jaw-dropping (she flashes a lot more cleavage and leg than you would expect in a post-code movie.) These two scenes turn the movie on its ear, revealing a fascinating subtext of perversity and hidden desire.

Afterwards, the action climax is hurried and sloppy, but it uses a plot device that would later turn up to much more nerve-wracking effect in an Anthony Mann noir.


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