The first day of spring has a profound affect on the Hilton family. The father, an accountant, finds himself unable to work, and when he tries to work, he is wooed by an actress whose taxes... See full summary »
Olivia de Havilland,
Sinbad is a story teller who weaves great adventures about - himself. Whether they are true or not, no one knows. For this is the story of the eight adventures of Sinbad - as told by Sinbad... See full summary »
Douglas Fairbanks Jr.,
Jo Lake and Mark Davies, working the "outraged husband" racket, fall foul of the sinister Kleinie. Jo, all for quitting, is persuaded by Mark to find one more victim before they leave and ... See full summary »
The ambitious Ann arrives with the stagecoach in Raton Pass to find herself in the midst of a feud between the Challon and the Pozner families. Ann immediately seeks out Marc Challon, a ... See full summary »
Edwin L. Marin
For the most part, this is a competently made (great sets, and the editing is particularly crisp) but uninspired melodrama about a steadfast Average Joe standing up to the racketeers who have wronged him. But I have some advice -- don't give up on it too soon (as I nearly did).
The opening 50 minutes are pretty much seen-it-all-before, middle-of-the road MGM stuff, but suddenly in the last reel things perk up immensely. First, we have a beautifully designed and psychologically poignant scene explaining the chief villain's desire to back an up-and-coming fighter. This is followed by the movie's real knock-out punch -- Florence Rice, up to this point the stereotypical pretty-and-loyal girlfriend, agrees to help infiltrate the mob by auditioning as a chorus girl at their club. She adopts the guise of a sexy champagne-swilling dame keen on seducing the crime boss. Although she expresses slight reluctance at first, one surmises that she secretly revels in being such hot stuff in her sexy new togs. Soon, a couple of sips of bubbly have her diving into her role so enthusiastically that the sequence is absolutely jaw-dropping (she flashes a lot more cleavage and leg than you would expect in a post-code movie.) These two scenes turn the movie on its ear, revealing a fascinating subtext of perversity and hidden desire.
Afterwards, the action climax is hurried and sloppy, but it uses a plot device that would later turn up to much more nerve-wracking effect in an Anthony Mann noir.
5 of 6 people found this review helpful.
Was this review helpful to you?