Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together. Written by
Sebastian Gibbs <firstname.lastname@example.org>
Fred Astaire always insisted that his dance routines be filmed in one continuous camera shot, showing the dancer(s) from head to foot. However, in the "Never Gonna Dance" number, there is an obvious moment when Astaire and Rogers reach the tops of their respective winding staircases that the camera shot changes quickly to reflect the fact that the filming camera had to be brought upstairs to shoot the close-up finale of the dance number. See more »
When Penny Carrol's things fall on the ground, Pop Cadetti takes her purse and introduces his left hand in it to pick up back the Lucky Garnett's quarter. But after the cut, he holds the quarter in his right hand. See more »
[after having just been hit in the face with a snowball]
You know, snow tastes just as bad as water.
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Aside from the perfection of "Top Hat" the previous year, this one is my next-favourite of the Fred and Ginger collaborations. The songs are excellent Jerome Kern-Dorothy Fields ones (A Fine Romance, The Way You Look Tonight, Pick Yourself Up, Never Gonna Dance) and the dance sequences are good, especially the one not far from the end with those huge staircases as backdrop; the ad-hoc tap at the dance centre, and Bojangles of Harlem, with its shadow play dancers behind a screen.
In support Helen Broderick and Eric Blore is back (although sadly Blore's appearance in "Swing Time" is brief), and Victor Moore plays a card sharp magician who slowly becomes tedious viewing. There's a recurring joke about trouser cuffs which both sets off the plot and ends it, and Fred and Ginger have the usually sparking repartee which ran through most of their work together.
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