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Swing Time (1936)

Not Rated  |   |  Comedy, Musical, Romance  |  12 October 1936 (Brazil)
7.7
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Ratings: 7.7/10 from 8,453 users  
Reviews: 73 user | 56 critic

A performer and gambler travels to New York City to raise the $25,000 he needs to marry his fiancée, only to become entangled with a beautiful aspiring dancer.

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(screen play), (screen play), 5 more credits »
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Title: Swing Time (1936)

Swing Time (1936) on IMDb 7.7/10

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Won 1 Oscar. Another 1 win & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Victor Moore ...
Helen Broderick ...
Eric Blore ...
Gordon
...
Margaret Watson
Georges Metaxa ...
Ricky Romero
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Storyline

Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together. Written by Sebastian Gibbs <sjg94@aber.ac.uk>

Plot Summary | Add Synopsis

Plot Keywords:

dance | wedding | love | dancer | performer | See All (64) »

Taglines:

A glorious songburst of gaiety and laughter! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

12 October 1936 (Brazil)  »

Also Known As:

I Won't Dance  »

Box Office

Budget:

$886,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Fred Astaire always insisted that his dance routines be filmed in one continuous camera shot, showing the dancer(s) from head to foot. However, in the "Never Gonna Dance" number, there is an obvious moment when Astaire and Rogers reach the tops of their respective winding staircases that the camera shot changes quickly to reflect the fact that the filming camera had to be brought upstairs to shoot the close-up finale of the dance number. See more »

Goofs

In the scene at the New Amsterdam, when Lucky first gets out of the car, there is a large white mark on the seat of his coat. This is possibly because no-one brushed off his coat after a previous take of the same scene, in which he sits down on a "snow" covered bench. See more »

Quotes

Mabel Anderson: [Mable thinks she's talking to Pop and turns to a young lady sitting at one of the tables] Oh, listen girlie! Don't worry about me. I always talk to myself... you see, I'm my own grandmother and I have to keep the old girl interested!
See more »

Connections

Featured in Fred Astaire: Puttin' on His Top Hat (1980) See more »

Soundtracks

The Way You Look Tonight
(1936) (uncredited)
Lyrics by Dorothy Fields
Music by Jerome Kern
Performed by Fred Astaire
Reprised by Georges Metaxa
Reprised again by Georges Metaxa, Helen Broderick, Victor Moore, Fred Astaire, and Ginger Rogers at the end
Played in the score often
See more »

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User Reviews

 
Swing Time Response
19 February 2005 | by (United Kingdom) – See all my reviews

I agree that George Stevens contribution to Swing time is noteworthy however it is the brilliance of Jerome Kern that truly stands out from this production. Kern's beautiful melodies:- 'Pick Yourself Up', 'A Fine Romance' and the 'The Way You Look Tonight'had left an indelible effect on my conscience, because programmers had been clever enough to utilise their qualities in advertisements and TV sitcoms in the UK in the 70's & 80's. But when I learnt recently that these numbers all originated from the same production I was surprised.

I had the pleasure of seeing this picture for the first time over the Christmas holidays (2004) and was entranced by the execution of these compositions in their original form. Of course much of the credit goes to Dorothy Field's lyrics - perfectly delivered by Fred Astaire and Ginger Rogers. No wonder Irving Berlin and George Gershwin also wrote for them. We should remember that Astaire the vocalist is the equal of Astaire the dancer! Notwithstanding Kerns's melodies - which like Mozart's piano concertos are pure and simple but undoubtedly the work of a master - it is also the sexual chemistry of Astaire and Rogers that is expertly conveyed by Stevens and far ahead of its time! Forget Mike Nichol's Closer (2004) it is George Steven's Swing Time (1936) which suggests the leading players and their companions have an interesting private life and are far nicer people than Closer's protagonists too!


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