Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, ... See full summary »
William A. Seiter
Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together. Written by
Sebastian Gibbs <email@example.com>
According to Ginger Rogers, she performed "Never Gonna Dance" so many times that her shoes were filled with blood. See more »
In the scene at the New Amsterdam, when Lucky first gets out of the car, there is a large white mark on the seat of his coat. This is possibly because no-one brushed off his coat after a previous take of the same scene, in which he sits down on a "snow" covered bench. See more »
Everett 'Pop' Cardetti:
Lucky, please don't feel bad. You still got me. Course I ain't a young and pretty girl. I ain't even a girl, but I'll stick. I'll never leave you.
See more »
I agree that George Stevens contribution to Swing time is noteworthy however it is the brilliance of Jerome Kern that truly stands out from this production. Kern's beautiful melodies:- 'Pick Yourself Up', 'A Fine Romance' and the 'The Way You Look Tonight'had left an indelible effect on my conscience, because programmers had been clever enough to utilise their qualities in advertisements and TV sitcoms in the UK in the 70's & 80's. But when I learnt recently that these numbers all originated from the same production I was surprised.
I had the pleasure of seeing this picture for the first time over the Christmas holidays (2004) and was entranced by the execution of these compositions in their original form. Of course much of the credit goes to Dorothy Field's lyrics - perfectly delivered by Fred Astaire and Ginger Rogers. No wonder Irving Berlin and George Gershwin also wrote for them. We should remember that Astaire the vocalist is the equal of Astaire the dancer! Notwithstanding Kerns's melodies - which like Mozart's piano concertos are pure and simple but undoubtedly the work of a master - it is also the sexual chemistry of Astaire and Rogers that is expertly conveyed by Stevens and far ahead of its time! Forget Mike Nichol's Closer (2004) it is George Steven's Swing Time (1936) which suggests the leading players and their companions have an interesting private life and are far nicer people than Closer's protagonists too!
21 of 23 people found this review helpful.
Was this review helpful to you?