Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together. Written by
Sebastian Gibbs <firstname.lastname@example.org>
Director, George Stevens' father, Landers Stevens, played the role of Judge Watson. See more »
In the scene at the New Amsterdam, when Lucky first gets out of the car, there is a large white mark on the seat of his coat. This is possibly because no-one brushed off his coat after a previous take of the same scene, in which he sits down on a "snow" covered bench. See more »
[Mable thinks she's talking to Pop and turns to a young lady sitting at one of the tables]
Oh, listen girlie! Don't worry about me. I always talk to myself... you see, I'm my own grandmother and I have to keep the old girl interested!
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I completely agree with my fellow film buffs that "Swing Time" ties with "Top Hat" as Fred and Ginger's best musical together. While "Top Hat" has an elegant, almost dreamy atmosphere to it, "Swing Time" gets a gold star for its more real (albeit musical numbers) and honest feel. Fred and Ginger just shine as dapper Lucky and sassy but classy Penny. One of their best dance numbers together is the spontaneous and fun "Pick Yourself Up", where Fred is in overly formal attire and Ginger wears a cute black business dress. Fred's big moment in the sun, however, is the legendary "Bojangles of Harlem" number. Many people today object to it because Fred dances in black face, but I feel it's totally misunderstood. Instead of the awful, grotesque black face Al Jolson wore (pitch black face with white lips), Fred wears tasteful theatrical makeup (think Laurence Olivier as Othello). Also, Fred isn't doing a jig in a cotton field and eating watermelon; the backdrop is a city with glamorous backup dancers. It's not a racist parody, it's one great dancer's tribute to another (that's who Bojangles was, after all). Forget what's on Fred's face, just watch him display a talent no one sees anymore. Because that's what it is: talent and tribute, not hate.
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