American showgirl Suzy is in London in 1914. She loves Irish inventor Terry who works for an engineering firm owned by a German woman. After their marriage Terry is murdered and Suzy flees ... See full summary »

Director:

(as Geo. Fitzmaurice)

Writers:

(screen play), (screen play) | 3 more credits »
Reviews
Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
...
...
Andre Charville
...
Baron Charville
Benita Hume ...
Diane Eyrelle
Reginald Mason ...
Captain Barsanges
...
Maisie
Greta Meyer ...
Mrs. Schmidt
David Clyde ...
'Knobby'
Christian Rub ...
'Pop' Gaspard
George Spelvin ...
Gaston
...
Landlady
Theodore von Eltz ...
Revue Producer
...
Lieutenant (as Stanley Morner)
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Storyline

American showgirl Suzy is in London in 1914. She loves Irish inventor Terry who works for an engineering firm owned by a German woman. After their marriage Terry is murdered and Suzy flees to Paris where she meets flyer Andre as war is breaking out. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

20 July 1936 (USA)  »

Also Known As:

Bigamie  »

Box Office

Budget:

$614,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The racing footage shown early in the movie, supposedly of the 1914 Epsom Derby,was newsreel footage of the Derby of 1934. Franchot Tone's fancy Ragamuffin & Jean Harlow's eventual 20/1 winner Golden Fleece featured in neither race. However a horse named Golden Fleece did win the 1982 Epsom Derby & the owner's wife was named Susan. See more »

Goofs

The film is supposed to take place during World War I. But the clothing used in the film, especially the women's clothing, is clearly in the 1930s style. See more »

Quotes

[first lines]
Maisie aka Frostbite: [Backstage at the final performance of "Melodies of 1914" the producer is handing out pay envelopes to the chorus] Ooooh! I'll be missing you next Saturday night, Pop!
Revue Producer: And I'll be missing you, too, Miss Maisie.
Maisie aka Frostbite: [Taking her pay envelope] Yeah, but you won't be missing this, and I will. Guess I shouldn't kick. Two weeks is a long run these days.
[She heads for her dressing room]
Maisie aka Frostbite: C'mon Suzy, let's get dressed.
Suzanne 'Suzy' Trent: Alright Maisie, I'll be right with ya.
Chorus Girl: [to Suzy, crying] But it's your whole ...
[...]
See more »

Connections

Edited from Hell's Angels (1930) See more »

Soundtracks

When You Wore a Tulip and I Wore a Big Red Rose
(1914) (uncredited)
Music by Percy Wenrich
Lyrics by Jack Mahoney
Sung a cappella by Jean Harlow (dubbed by Eadie Adams)
See more »

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User Reviews

 
Underrated WWI drama - almost a masterpiece
19 November 2006 | by (United States) – See all my reviews

An entertaining, well-made WWI-era romance, SUZY features a standardly-scripted but winningly-executed love triangle, with some espionage and spy action thrown into the mix. In the title role, Jean Harlow (who was arguably MGM's biggest female star at the time) gives a refreshingly natural and totally believable performance, and really carries the film with her considerable charm and screen presence. Franchot Tone and Cary Grant may draw some criticism for utilizing improper accents, but both actors contribute solid performances as the men in our heroine's life – Tone is touching as the idealistic charmer who truly loves Suzy, and Grant is shockingly effective cast against type as smooth-talking but treacherous heel. The movie is further enhanced by the quiet strength of Lewis Stone, whose genteel toughness as Andre's father creates a moving relationship with Harlow as his neglected daughter-in-law.

As a WWI period piece, the studio faced the obvious challenge of redressing the soundstages to reflect the 1914 setting, and the MGM artisans contribute their usual high standard to the film. SUZY features the typical MGM gloss, although the budget does appear to be a bit more limited than the studio usually lavished upon a vehicle for one of their biggest stars. The sets and costumes are up to the usual MGM standard for the time, with Harlow's stunning figure showcased in several beautiful Dolly Tree gowns (even if the style is unarguably more 1936 than it is 1914). The film makes extensive use of various stock footage, notably Howard Hughes' 1930 classic HELL'S ANGELS, most of which is reasonably incorporated into the finished film and succeeds in enhancing the film's scope.

The film is based on Herbert Gorman's novel (which I haven't read), and the film's characters are very well-developed by the strong performances of the cast – which gives the central love triangle more tension and pathos when compared to many similar and also leaves Suzy's relationship with the Baron as poignant as that of the love affair with either suitor. The film only wobbles a bit in the final third as too many coincidences involving the espionage subplot begin to pile up, and a slightly preposterous conclusion prevents the film from being a total classic (with four credited screenwriters, perhaps there were too many cooks in the kitchen). SUZY is absolutely terrific when it's focus remains on it's strong characterizations and the relationships of it's leads. Director George Fitzmaurice does an expert job of keeping the whole film on track, and provides us with many breathtakingly beautiful moments – my favorite of which is a particularly lovely scene with Grant singing a few lines of the Oscar-nominated song "Did I Remember" to Harlow.


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Okay, I can buy Terry reappearing. But the spy? FilmKoala
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