Eddie and his Mexican friend Ricardo are expelled from college after Ricardo put Eddie in the girl's dormitory when he was drunk. Per chance Eddie gets mixed up in a bank robbery and is ... See full summary »
Musical comedy antics in an art deco bakery (motto: "Glorifying the American Doughnut") with Eddie Cantor as an assistant to a phoney psychic, who is mistaken for an efficiency expert and ... See full summary »
A. Edward Sutherland
A kind-hearted young man is thrown out of his corrupt home town of West Rome, Oklahoma. He falls asleep and dreams that he is back in the days of olden Rome, where he gets mixed up with court intrigue and a murder plot against the Emperor.
The Goldwyn Girls,
Zachary Hicks is nominated at the Progressive party's convention even though he has little chance of winning the governorship. Kay suggests the party bosses hire Hal Blake (whom she loves) ... See full summary »
Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle. Sally flees the wedding with hypochondriac Henry Williams, who thinks... See full summary »
After nearly running over him with her cab, Patty Mitchell picks up a fare who claims to have amnesia. As he fumbles to remember the basic facts of his identity, Patty becomes interested in... See full summary »
Newspaperman Bill Bradford becomes a special agent for the tax service trying to end the career of racketeer Alexander Carston. Julie Gardner is Carston's bookkeeper. Bradford enters ... See full summary »
After helping a numbskull graduate college, a nebbish blunders into a job running an amusement park. There he wards off a variety of con artists and other miscreants while he pursues a nightclub singer. Written by
The last and the least of the Cantor-Goldwyn films.
If you have not seen "Whoopee!" or "Palmy Days" or "Kid Millions" or "Roman Scandals" or "The Kid from Spain", you may think that "Strike Me Pink" is a pretty funny comedy. However, compared to the films mentioned above, it just doesn't make it. Instead of writing for his usual "frightened and nervous little man" persona, Cantor is given a script which would be better suited to Harold Lloyd. The musical numbers, though serviceable, are not even close to the great songs introduced in the previous pictures. Casting Ethel Merman, so perfect in "Kid Millions", as the romantic lead was a total mistake. Parkyakarkus and Bill Frawley are descent comic foils for Cantor, but somehow it all seems a little contrived. If you have seen the other films Cantor made for Goldwyn, this one may be a little disappointing. Don't get me wrong! There are some funny bits in the film. It's certainly not a total disaster, but compared to the films which came before it, it leaves much to be desired.
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