Mickey, Donald, and Goofy are cleaning a large clock. Among the complications: Mickey fights a sleeping stork that doesn't want to leave, Donald gets tangled up in the main-spring, and Goofy is inside the bell when the clock strikes four.
Porky ventures into Darkest Africa in search of the last Do-Do bird, and winds up in Wackyland, a surreal place where the sun comes up atop a human pyramid, the Warner Brothers shield comes... See full summary »
A young brother and sister bring home firewood to their poor mother. She gives them pieces of dried bread for supper and sends them to bed. The children dream of a land filled with ice cream cones, popcorn fields, and a chocolate syrup river. They wake up to a feast supplied by three of the merchants they passed on their way home the night before. Written by
David Glagovsky <email@example.com>
Whoever knew that childhood dreams could be so magical?
One of Fleischer Studios' best and most imaginative. The high point is the animation, which still looks amazing. The colours are vibrant and atmospheric and the backgrounds are smooth and fluid with great attention to detail whether in the dreamland or showing the children's poverty. What makes the animation so good though is the use of the rotograph technique used in the dreamland(never in animation has there been a more magical dreamland, one which any poor child would want to stay in forever) which is put to stunning use, it is in Somewhere in Dreamland with the merry-go-around cake that signals one of the studio's most remarkable animation moments. The music has the right amount of whimsy and energy as well as being orchestrated so beautifully, and the title song is one of the catchiest of any Fleisher Studios cartoon. The story is one of the most imaginative of their cartoons too, and is difficult to resist. Yes it's sentimental and it's cutesy but they don't mar the cartoon at all, rather it is a lot of fun as well as adorable and touching. The children are cute and engaging without being too sickly sweet, carrying the cartoon nicely, and the mother while with a small role is a good character as well. Mae Questel's voice acting is lovingly maternal and sympathetic in some of her more subtle voice work. In conclusion, a magical cartoon from Fleischer Studios and among their best. 10/10 Bethany Cox
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