Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Musical comedy antics in an art deco bakery (motto: "Glorifying the American Doughnut") with Eddie Cantor as an assistant to a phoney psychic, who is mistaken for an efficiency expert and ... See full summary »
A. Edward Sutherland
Multi-millionaire Ezra Ounce wants to start a campaign against 'filthy' forms of entertainment, like Broadway-Shows. He comes to his relatives families and makes them members of his ... See full summary »
Judy Jones, sings with a band and also works at an aircraft plant. She takes part in a "missing heirs" radio program and is discovered to be an heiress to a fortune. But the will provides ... See full summary »
An out-of-work professor gets a break from an old college buddy to teach at an exclusive girl's school. But events conspire against him: he finds an abandoned child which he takes under his... See full summary »
Busby Berkeley actually directed at least one section of this film even though he wasn't credited. I have seen a photograph of Berkeley directing Al Jolson and Sybil Jason as they sing "You're the Cure for What Ails Me" on a lakeside dock, as well as home movies shot by composer Harold Arlen showing Berkeley clowning around at that location with Jolson, lyricist EY Harburg and others. According to Harold Arlen biographer Ed Jablonski, Berkeley choreographed the "I Love to Sing-a" reprise in which Jolson and ensemble begin in a radio station, continue through the outer offices, down an elevator, through a lobby and out into a busy street conversing in rhyme all the way. This number seems to me a foreshadowing of the "Munchkinland" sequence in THE WIZARD OF OZ three years later, wherein Judy Garland strolls through the village to the music and lyrics of the same songwriting team (Harold Arlen and E.Y. Harburg) with choreography by SINGING KID's credited choreographer, Bobby Connolly; maybe Connolly was inspired by Berkeley's work here. It is to Jolson's credit that he even agreed to perform in the "I Love to Sing-a" reprise because it's all about how dated and irrelevant his "Mammy" singing was. So at least he had a sense of humor.
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