Two fast-talking insurance salesmen meet Mary, who is running away from her wealthy mother, and they agree to help her run a hotel that she owns. When they find out that the hotel is run ... See full summary »
Roscoe the Rainmaker is invited to California (with sidekick "Billy") to relieve a terrible dry spell and to save the community from an unscrupulous businessman who stands to profit from ... See full summary »
The Great Elmer and Company, two out-of-work magicians, help lovelorn Jerry Bronson adopt Spanky Milford, to distract him. When Bronson makes up and elopes, the pair are stuck with the ... See full summary »
Bert Wheeler and Robert Woolsey play a couple of broke, hungry vaudevillians who are holed up in a hotel room with a few (tame) lions. They are hired by a movie producer who wishes to send ... See full summary »
Edward F. Cline
Two young lovers are building their house, but their relatives don't stop interfering, finally cutting off the young man's income and alienating them, but he is impressing everybody by ... See full summary »
I've been watching Wheeler and Woolsey movies for about fifteen years, but was only able to see this one just last month. First, many thanks to TCM for allowing this film to be shown--finally!
That being said, I must say that I was prepared to be entirely disappointed with this film. I had seen nothing but negative reviews or comments about it. In contradistinction to this, I was surprised that I did actually enjoy the film. I might even go so far to say that it is one of the best of W & W's "last five" films.
The film's first half had a certain quirkiness that did not exactly produce bellyfuls, but that had an agreeable sardonic aspect. The second half was less satisfying, but I could not help thinking that it seemed odd for the duo to be involved in a rather realistic plot, as opposed to the feathery things that usually provide the excuse for their antics.
Thus, it seemed that the boys were participating in the real world for once, in this film anyway. I might only add the musical number was most agreeable, and leave any future viewer with the impression that this film is the post-code equivalent of "Caught Plastered" (1931), some silly lines, and a tired plot, but with good effort. I'm sure that some W & W fans might object to this analogy, but it's the best that I can make with their earlier work.
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