An Auustrian prince flees his homeland when the Nazis take over and settles in London. He meets a beautiful Austrian émigré who makes him realize his mistake in leaving. He makes a deal ... See full summary »
A group of adventurers head deep into a South American jungle in search of ancient Incan treasure. A beautiful woman, brought to their camp by hired bearers, has come to join her husband, a... See full summary »
Douglas Fairbanks Jr.,
Adaptation of the Broadway musical. Magnolia Hawks is the lovely but protected, and thus very naive, daughter of Cap'n Andy Hawks, the genial proprietor of a show boat that cruises the Missisippi, and his nagging wife, Parthy. She is best friends with the show boat's star, Julie LaVerne, but Julie and her husband Steve are forced to leave when it is revealed that Julie has "Negro" blood in her, thereby breaking the state law by being married to the white Steve. Magnolia replaces Julie as the show boat's female star, and the show's new male star is the suave gambler Gaylord Ravenal. "Nola" and Gaylord fall in love and marry against Parthy's wishes. They and their young daughter lead the high life when Gaylord is lucky in gambling, but live like dirt when he's unlucky. During one such unlucky streak, a broken Gaylord leaves Nola, and she is forced to start over by returning to the stage. Like Old Man River, as the famous song from this show goes, she just keeps rollin' along. Written by
HEAR Glorious New Music and Songs by Jerome Kern and Oscar Hammerstein II: "Gallivantin' Around", "Ah Still Suits Me", "I Have The Room Above Her", plus "Make Believe", "Ol' Man River", "Can't Help Lovin' Dat Man of Mine". See more »
Until 2014, the film was not officially released on a U.S. DVD, although the 1951 Technicolor remake had been available in that format since its early years. See more »
At the end of "Ol' Man River", Joe smiles while his and the male chorus's voices linger for about three seconds on the soundtrack. See more »
[showing Julie's picture to the Sheriff]
Why that's Miss Julie LaVerne, ain't it?
Yeah, that's what she calls herself, ever since she got married to a white man!
What d'ya mean?
Frank, come over here; I want you to hear this. You too, Ellie.
Sit down and explain yourself. And you make sure you know what you're talkin' about.
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The rights to this film were bought by M-G-M in 1942, so all prints shown on TV until the mid 1990's had the roaring lion logo at the beginning. However, despite having bought the rights, M-G-M retained Universal Pictures' spinning globe for the "The End: A Universal Picture" credit at the film's close. See more »
There are a couple of famous, great songs in the opening 15 minutes of this film that hooked me in to watch the entire two-hour film.
I don't think the two-hour production ever wound up matching those early minutes but I still enjoyed it enough to give it "8 stars." Also, I still think it's better than the more-famous 1951 color re-make. It's a shame this 1936 film is not available on DVD, at least at this point here in the U.S.
Funny, but I did not particularly care for the two leading actors voices - Irene Dunne and Allan Jones. They are just two high-pitched for my tastes. I preferred the deep voice of Paul Robeson and was pleasantly surprised how well Hatie McDaniel sang.
The fun part of the film, however, wasn't the music but the story. It's pretty entertaining and a key reason for that was Charles Winniger, who keeps it alive with good humor. All the characters, except for Helen Westley's, are "good guys." and nice to follow. The story has a good mixture of drama, humor, sadness, sentimentality and song.
Also, there is some nice closeup photography with some great facial expressions. Some just make you laugh right out loud.
I am in agreement with those who think "Show Boat" was the best-ever and very good feel-good film.
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