On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Dowdy housewife Kitty dotes on her self-centered husband but divorces him when his mistress shows up at their home one day to break up their marriage. Bob had become bored with her ... See full summary »
Robert Z. Leonard
Rod La Rocque,
It's turn of the century America when Andrew and Veronica first meet - by crashing into each other. They develop an instant and mutual dislike which intensifies when, later on, Andrew is ... See full summary »
London based American nurse, Susan, Lady Ashwood, is at the hospital awaiting the imminent arrival of injured soldiers. She is hoping that her enlisted son, Sir John Ashwood, who resembles ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Adaptation of the Broadway musical. Magnolia Hawks is the lovely but protected, and thus very naive, daughter of Cap'n Andy Hawks, the genial proprietor of a show boat that cruises the Missisippi, and his nagging wife, Parthy. She is best friends with the show boat's star, Julie LaVerne, but Julie and her husband Steve are forced to leave when it is revealed that Julie has "Negro" blood in her, thereby breaking the state law by being married to the white Steve. Magnolia replaces Julie as the show boat's female star, and the show's new male star is the suave gambler Gaylord Ravenal. "Nola" and Gaylord fall in love and marry against Parthy's wishes. They and their young daughter lead the high life when Gaylord is lucky in gambling, but live like dirt when he's unlucky. During one such unlucky streak, a broken Gaylord leaves Nola, and she is forced to start over by returning to the stage. Like Old Man River, as the famous song from this show goes, she just keeps rollin' along. Written by
HEAR Glorious New Music and Songs by Jerome Kern and Oscar Hammerstein II: "Gallivantin' Around", "Ah Still Suits Me", "I Have The Room Above Her", plus "Make Believe", "Ol' Man River", "Can't Help Lovin' Dat Man of Mine". See more »
Although this film version of "Show Boat" was quite faithful to the show, and although it features many of the songs from the stage version, poster advertising for the film prominently mentioned the three additional songs written by Kern and Hammerstein especially for the film, even to the point of downplaying the fact that nine songs from the stage score were sung in the film, several of those were reprised twice or more, and three other songs from the stage version were used as background music. See more »
As Ellie May is applying cold cream on her face, the amount she puts on changes from shot to shot. See more »
Backwoodsman with Gun:
Seein' as how this is the first show we ever seed, you better give me and my friend Zebe here the best two seats in the the-ay-ter.
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For the opening credits, we see a cardboard cutout display of a show boat parade, with cutout paper townspeople watching it, on a moving turntable. The parade revolves past the camera carrying cardboard banners on which are printed the title and other credits to the film. Most of the parade figures are simply figures, but among them we can discern cutouts of Paul Robeson and Helen Morgan (the appearance of these figures does not coincide with the appearance of their names onscreen). In the background can be seen the shadows of a paddlewheel and a riverboat. See more »
This movie is a wonderful stage-to-screen musical film. It stuck to the original musical play and had wonderful stars. Irene Dunne as the young innocent Magnolia Hawks, Allan Jones as the charming gambler Gaylord Ravenal, Charles Winninger as Cap'n Andy Hawks, Paul Robenson as Joe, and Helen Morgan, in the role she originated on stage, as Julie LaVerne. This film is a musical drama with comedy and racial references. This film is a great musical about racial differences and the reactions of people, back then, with different races. That is what makes this film a landmark musical and also one of AFI's 100 Years of Musicals and was #24 out of 25 musicals. This version of "Show Boat" is known to be the best movie version of all three movie versions. The 1929 version was not done very well because it was a very early talkie and the numbers weren't heard correctly. The 1951 version was much too sanitized and it took out the value of the whole show. "Show Boat" is a very entertaining and beautiful film.
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