The Great Garrick (Brian Aherne) is the most celebrated London theater actor of his day (eighteenth century) and is invited to Paris to star at the Comedie Francaise, the most important ... See full summary »
Olivia de Havilland,
Edward Everett Horton
In 1898, composer Sid Barnett manages to get his sweetheart, Adeline the beer-garden singer, to sing the lead in his new Broadway operetta; this infuriates Elysia, the erstwhile star. But ... See full summary »
A seaplane departs for China. On board are a nurse escaping a loveless marriage to do work with refugees, a woman hoping to surprise her estranged son, a wealthy heiress trying to distance ... See full summary »
An Auustrian prince flees his homeland when the Nazis take over and settles in London. He meets a beautiful Austrian émigré who makes him realize his mistake in leaving. He makes a deal ... See full summary »
Adaptation of the Broadway musical. Magnolia Hawks is the lovely but protected, and thus very naive, daughter of Cap'n Andy Hawks, the genial proprietor of a show boat that cruises the Missisippi, and his nagging wife, Parthy. She is best friends with the show boat's star, Julie LaVerne, but Julie and her husband Steve are forced to leave when it is revealed that Julie has "Negro" blood in her, thereby breaking the state law by being married to the white Steve. Magnolia replaces Julie as the show boat's female star, and the show's new male star is the suave gambler Gaylord Ravenal. "Nola" and Gaylord fall in love and marry against Parthy's wishes. They and their young daughter lead the high life when Gaylord is lucky in gambling, but live like dirt when he's unlucky. During one such unlucky streak, a broken Gaylord leaves Nola, and she is forced to start over by returning to the stage. Like Old Man River, as the famous song from this show goes, she just keeps rollin' along. Written by
HEAR Glorious New Music and Songs by Jerome Kern and Oscar Hammerstein II: "Gallivantin' Around", "Ah Still Suits Me", "I Have The Room Above Her", plus "Make Believe", "Ol' Man River", "Can't Help Lovin' Dat Man of Mine". See more »
As of 2010, there still has been no official soundtrack album made from the film. The songs sung by Allan Jones have been released on another album devoted exclusively to Jones, and the film's soundtrack was once issued on LP, on an obscure label called Xeno, but it did not receive the kind of remastered official CD or LP release accorded to such film soundtracks as The Wizard of Oz (1939), Gone with the Wind (1939) or the classic Disney films. See more »
During the scene in which Cap'n Andy introduces his actors to the crowd, a young woman looks off to the side absent-mindedly as the captain begins to introduce Ellie. As soon as he mentions Ellie's name, the young woman seems to snap to attention and automatically smiles broadly and gives out a loud cheer along with the rest of the crowd. See more »
Julie, let's hear the new song, will you?
I don't feel like singin'.
Oh, don't you? What DO you feel like doing, Duchess?
I feel like going off on a tear!
See more »
Though this film version is an extremely faithful adaptation of the Kern-Hammerstein musical version of the novel (rather than the novel itself), and although the film retains all the major changes that Hammerstein made to the novel when adapting it for the stage, the on-screen and poster title for the film reads "Edna Ferber's 'Show Boat'" rather than "Kern and Hammerstein's 'Show Boat'". See more »
James Whale's outstanding 1936 film version of "Show Boat" is indeed a musical film that others must aspire to.His slick direction brings out not only the pathos of the piece,but the humor and dramatic chemistry as well.As with most screen adaptations of Broadway musicals there are some missing songs.Most sorely missed is Ravanal's stirring 'Till Good Luck Comes My Way" and Queenie's haunting "Misery's Comin Around",but even with these omissions its a great film.
Hammerstein's script is full of meaning and power.The cast is up for the chalanging subject matter. Original broadway cast members Charles Winninger as Capn Andy and Helen Morgan as Julie along with the London Joe,the legendary Paul Robeson, win best of film honors. Winninger's Andy is full of comedic humor well balanced with quiet tenderness.Morgan as Julie,although past her prime still commands the stage emotionally as the tragic Julie, and Robeson gives us a well layered performance as the easy going,but wise Joe. His "Old Man River" still sends chills down one's spine.
The rest of the cast is no less polished. Allan Jones and Irene Dunne as the central figures,Ravanal and Nola create a wondeful bond. their chemistry,both vocal and emotional is right on the mark.Hattie McDaniel is a delightful Queenie and shines in her partnership with Robeson (particularly in their duet,'Ah Still Suits Me").
The themes of Hammersteins' script still are valid today,Racisim,Spousal abandonment,Bigotry and Financial Hardship. This is what makes this film a classic.It still has something to say in today's so called "advanced" society.
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