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Show Boat (1936)

Approved | | Comedy, Drama, Musical | 17 May 1936 (USA)
Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.

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Writers:

, (stage play) | 1 more credit »
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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Joe
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Queenie Smith ...
Sammy White ...
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Francis X. Mahoney ...
Rubber Face
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Sunnie O'Dea ...
Arthur Hohl ...
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Storyline

Adaptation of the Broadway musical. Magnolia Hawks is the lovely but protected, and thus very naive, daughter of Cap'n Andy Hawks, the genial proprietor of a show boat that cruises the Missisippi, and his nagging wife, Parthy. She is best friends with the show boat's star, Julie LaVerne, but Julie and her husband Steve are forced to leave when it is revealed that Julie has "Negro" blood in her, thereby breaking the state law by being married to the white Steve. Magnolia replaces Julie as the show boat's female star, and the show's new male star is the suave gambler Gaylord Ravenal. "Nola" and Gaylord fall in love and marry against Parthy's wishes. They and their young daughter lead the high life when Gaylord is lucky in gambling, but live like dirt when he's unlucky. During one such unlucky streak, a broken Gaylord leaves Nola, and she is forced to start over by returning to the stage. Like Old Man River, as the famous song from this show goes, she just keeps rollin' along. Written by Tommy Peter

Plot Summary | Plot Synopsis

Taglines:

Sensation of 1936! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

17 May 1936 (USA)  »

Also Known As:

Edna Ferber's Show Boat  »

Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Noiseless Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The first choice to play Ellie May Chipley in this film was Eva Puck, who had played that part in Show Boat's original Broadway run opposite her husband Sammy White as Frank Schultz. However, by the time this film was made, Puck was divorced from White, casting White was given precedence over casting Puck, and Queenie Smith replaced Puck as Ellie May Chipley. See more »

Goofs

At one point in the story, Cap'n Andy and Parthy discuss hiring a new leading man and leading lady. Just before Cap'n Andy says, "But where do we go from here? We can't give no more shows without a leading man !" he and Parthy are abruptly seen in a slightly different position. See more »

Quotes

Parthy: I could say that my name was Bonaparte, and show you Napoleon's tomb; that wouldn't make him my grandfather would it?
See more »

Crazy Credits

For the opening credits, we see a cardboard cutout display of a show boat parade, with cutout paper townspeople watching it, on a moving turntable. The parade revolves past the camera carrying cardboard banners on which are printed the title and other credits to the film. Most of the parade figures are simply figures, but among them we can discern cutouts of Paul Robeson and Helen Morgan (the appearance of these figures does not coincide with the appearance of their names onscreen). In the background can be seen the shadows of a paddlewheel and a riverboat. See more »


Soundtracks

You Are Love
(1927) (uncredited)
Music by Jerome Kern
Lyrics by Oscar Hammerstein II
Sung by Irene Dunne and Allan Jones
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

By Far, the best "Show Boat" on film
1 October 2002 | by (Ottawa) – See all my reviews

What an exquisite and enjoyable film! Along with "The Great Garrick"(1937), "The Old Dark House"(1932) and "The Bride of Frankenstein"(1935), "Show Boat" is one of James Whale's loveliest and most enduring classics. By far, the best "Show Boat" ever captured on film. The plush 1951 MGM remake is a cartoon by comparison.

Like Whale's "The Great Garrick," the film is a delicate, self-reflexive study about the entrancing possibilities of the theater, or for that matter acting. Acting as a metaphor for life. One of delights of "Show Boat" is that it does not avoid depicting either the joy of make-belief (the basis of the theater) or its inevitable heartbreak. In this regard, it invites comparison to Jean Renoir's exquisite "French Cancan"(1955), another back stage musical that understands, accepts, and celebrates the difficulties and ultimately the magic of the theater.

In addition to being an honest and frank celebration of miscegenation, "Show Boat" is also a genuinely felt evocation of a stage actress (wonderfully played by Irene Dunne in one of her greatest performances ever), who goes from a stagestruck teen to a mature woman seriously dealing with the consequences of a marriage to a gambler(played by the occasionally bland Allan Jones).

Paul Robeson's extraordinary, melodious rendition of "Ol' Man River" is the highlight of the film, occasioning in great and inventive montage sequence.

A great film.


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