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Show Boat (1936)

 -  Comedy | Drama | Musical  -  17 May 1936 (USA)
7.8
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Ratings: 7.8/10 from 1,827 users  
Reviews: 52 user | 23 critic

Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.

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Writers:

, (stage play), 2 more credits »
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Title: Show Boat (1936)

Show Boat (1936) on IMDb 7.8/10

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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
Charles Winninger ...
...
Joe
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Helen Westley ...
Queenie Smith ...
Sammy White ...
Donald Cook ...
...
Francis X. Mahoney ...
Rubber Face
...
Sunnie O'Dea ...
Arthur Hohl ...
...
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Storyline

Adaptation of the Broadway musical. Magnolia Hawks is the lovely but protected, and thus very naive, daughter of Cap'n Andy Hawks, the genial proprietor of a show boat that cruises the Missisippi, and his nagging wife, Parthy. She is best friends with the show boat's star, Julie LaVerne, but Julie and her husband Steve are forced to leave when it is revealed that Julie has "Negro" blood in her, thereby breaking the state law by being married to the white Steve. Magnolia replaces Julie as the show boat's female star, and the show's new male star is the suave gambler Gaylord Ravenal. "Nola" and Gaylord fall in love and marry against Parthy's wishes. They and their young daughter lead the high life when Gaylord is lucky in gambling, but live like dirt when he's unlucky. During one such unlucky streak, a broken Gaylord leaves Nola, and she is forced to start over by returning to the stage. Like Old Man River, as the famous song from this show goes, she just keeps rollin' along. Written by Tommy Peter

Plot Summary | Plot Synopsis

Plot Keywords:

love | showboat | song | missouri | singer | See more »

Taglines:

Here Comes the Grand and Glorious "Show Boat" (version of 1936) See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 May 1936 (USA)  »

Also Known As:

Edna Ferber's Show Boat  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Noiseless Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The cost of production for the movie was more than Universal Studios could afford. Head of the studio, Carl Laemmle Jr., had to borrow money to finish the picture and to keep the studio afloat. When he reneged on an agreement to repay the loan, Universal Studios was taken over by a New York City lending institution. Laemmle Jr. lost his position at the studio his father had started and never again worked in Hollywood. See more »

Goofs

About five minutes in, Cap'n Andy Hawks is introducing Miss Ellie May Chipley, the toast of Cairo, Illinois. He mispronounces Cairo. His pronunciation is for the capital of Egypt. Cairo, IL is pronounced Kay'ro, with perhaps other local variants. But NEVER as the Egyptian capital. See more »

Quotes

Joe: I just shell them peas.
Queenie: You ain't pickin' them up.
Joe: No, but I could've if you didn't. I could do a lotta things if it was necessary.
Queenie: Then why don't you?
Joe: It ain't necessary.
See more »

Crazy Credits

The rights to this film were bought by M-G-M in 1942, so all prints shown on TV until the mid 1990's had the roaring lion logo at the beginning. However, despite having bought the rights, M-G-M retained Universal Pictures' spinning globe for the "The End: A Universal Picture" credit at the film's close. See more »

Connections

Spoofed in The Carol Burnett Show: Episode #10.21 (1977) See more »

Soundtracks

Make Believe
(1927) (uncredited)
Music by Jerome Kern
Orchestral reprise during the closing credits
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

By Far, the best "Show Boat" on film
1 October 2002 | by (Ottawa) – See all my reviews

What an exquisite and enjoyable film! Along with "The Great Garrick"(1937), "The Old Dark House"(1932) and "The Bride of Frankenstein"(1935), "Show Boat" is one of James Whale's loveliest and most enduring classics. By far, the best "Show Boat" ever captured on film. The plush 1951 MGM remake is a cartoon by comparison.

Like Whale's "The Great Garrick," the film is a delicate, self-reflexive study about the entrancing possibilities of the theater, or for that matter acting. Acting as a metaphor for life. One of delights of "Show Boat" is that it does not avoid depicting either the joy of make-belief (the basis of the theater) or its inevitable heartbreak. In this regard, it invites comparison to Jean Renoir's exquisite "French Cancan"(1955), another back stage musical that understands, accepts, and celebrates the difficulties and ultimately the magic of the theater.

In addition to being an honest and frank celebration of miscegenation, "Show Boat" is also a genuinely felt evocation of a stage actress (wonderfully played by Irene Dunne in one of her greatest performances ever), who goes from a stagestruck teen to a mature woman seriously dealing with the consequences of a marriage to a gambler(played by the occasionally bland Allan Jones).

Paul Robeson's extraordinary, melodious rendition of "Ol' Man River" is the highlight of the film, occasioning in great and inventive montage sequence.

A great film.


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