Overview
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Release Date:
15 June 1936 (USA)
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Tagline:
Mystery - Intrigue - Romance, burn a flaming trail among the gay capitals of Europe
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Plot:
After three British agents are assigned to assassinate a mysterious German spy during World War I, two of them become ambivalent when their duty to the mission conflicts with their consciences.
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User Comments:
Brisk, well-acted thriller
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Crew verified as complete
Additional Details
Also Known As:
Laugh Track: Secret Agent (USA) (video title (redubbed comic version))
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Runtime:
86 min
Aspect Ratio:
1.37 : 1
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Fun Stuff
Goofs:
Continuity: When the little dog is scratching at the door, he is facing left and is in front of the right-side door. When the elderly lady then (immediately) picks up the dog, he is facing right and is in front of the left-side door.
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Quotes:
Edgar Brodie:
Oh, I'm to have an assistant, am I?
'R':
Yes, and in the circumstances, a very useful one. We call him the "Hairless Mexican".
Edgar Brodie:
Oh? Why?
'R':
Well, chiefly because he's got a lot of curly hair and isn't a Mexican. You can call him The General. He isn't a general, but he'll appreciate the compliment.
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Movie Connections:
Referenced in
Breach (2007)
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FAQ
Didn't Hitchcock make a movie based on Joseph Conrad's novel, "The Secret Agent"?
Why are the picture and sound so bad?
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A super film with probably the ideal balance of Hitchcockian control and cast contribution. The story is told at a good, brisk pace, slowed only to incorporate the three to four exemplary tension-ratcheting sequences. There's also ingenious use of the camera: the pick of the aforementioned suspense set-pieces involves intercutting between two characters on the Alps and a hotel room. Hitchcock's manoeuvre to the eye piece of the Alpine telescope and thence to the climbers would tickle the David Fincher of Panic Room.
The acting is solid gold. A young, terse John Gielgud cannot fail to capture (Hitchcock blonde) Madeleine Carroll's heart. Opposite this requisite lovematch are Robert Young's Yank charmer Marvin (his character manages to give the picture much needed sveltesse and glamour) but above all the unique contribution of Peter Lorre. Everyone knows Lorre from Casablanca; here he is a much more rounded, entertaining but no less interesting character.
A half-fumbled ending is symptomatic of the trust placed by the cast in the 'process', so this as other bumpy moments can be put down to Hitchcock and, in their turn, to contemporaneous technical limitations. It's a great matinée. 7/10