A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
During the first world war, novelist Edgar Brodie is sent to Switzerland by the Intelligence Service. He has to kill a German agent. During the mission he meets a fake general first and then Elsa Carrington who helps him in his duty. Written by
Claudio Sandrini <email@example.com>
Dates given in the story are out of sequence. After starting "May 10, 1916" (title), a telegram received later appears to be dated "3/4/16". A newspaper near the end of the film is dated "Tuesday, September 21, 1916," when that date actually occurred on a Thursday. Afterwards a postcard bears the date of "April 2." See more »
We aren't hunting a fox, we're hunting a man. He's an oldish man, with a wife. Oh, I know it's war and it's our job to do it, but that doesn't prevent it being murder - simple murder!
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Hitch should have remade this exciting, overlooked gem
One of the more ignored early Hitchcock thrillers, and unjustly so. In 1916 Switzerland, Bookworm John Gielguld, Beautiful Maddeline Carroll and and Pesky, over sexed Peter Lorre are three very unlikely enlisted civilians made to assassinate an unknown foreign agent. One right after another fall superb Hitichcock scenes, high on visuals, in no need of dialog. Such scenes include Gielguld and Lorre discovering a murdered agent in a noisy Swiss church, an assassination seen through a telescope while the victim's dog howls mournfully, a chase through a chocolate factory. What hurts the film is Lorre's shameless overacting, and the too neat ending. It's as if Hitchcock decided "This is beginning to ramble, let's have an explosion here." Don't be put off by co-star Robert Young's comic relief, there's a reason for it. I could picture a 1950's remake, in Vistavision in color with Cary Grant, Grace Kelly and a more restrained Peter Lorre.
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