A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live broadcast hosted by Tommy Handley (as himself). There are two "running gags" which connect the ... See full summary »
During the first world war, novelist Edgar Brodie is sent to Switzerland by the Intelligence Service. He has to kill a German agent. During the mission he meets a fake general first and then Elsa Carrington who helps him in his duty. Written by
Claudio Sandrini <firstname.lastname@example.org>
When the man with one arm is trying to move the coffin, the flag is draped over his right shoulder but in the next close-up, it is only covering his forearm. See more »
Oh, I'm to have an assistant, am I?
Yes, and in the circumstances, a very useful one. We call him the "Hairless Mexican".
Well, chiefly because he's got a lot of curly hair and isn't a Mexican. You can call him The General. He isn't a general, but he'll appreciate the compliment.
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Hitch should have remade this exciting, overlooked gem
One of the more ignored early Hitchcock thrillers, and unjustly so. In 1916 Switzerland, Bookworm John Gielguld, Beautiful Maddeline Carroll and and Pesky, over sexed Peter Lorre are three very unlikely enlisted civilians made to assassinate an unknown foreign agent. One right after another fall superb Hitichcock scenes, high on visuals, in no need of dialog. Such scenes include Gielguld and Lorre discovering a murdered agent in a noisy Swiss church, an assassination seen through a telescope while the victim's dog howls mournfully, a chase through a chocolate factory. What hurts the film is Lorre's shameless overacting, and the too neat ending. It's as if Hitchcock decided "This is beginning to ramble, let's have an explosion here." Don't be put off by co-star Robert Young's comic relief, there's a reason for it. I could picture a 1950's remake, in Vistavision in color with Cary Grant, Grace Kelly and a more restrained Peter Lorre.
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