Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
Wong Kar-Wai's movie about two love-struck cops is filmed in impressionistic splashes of motion and color. The first half deals with Cop 223, who has broken up with his girlfriend of five ... See full summary »
Kar Wai Wong
Tony Leung Chiu Wai,
During the first world war, novelist Edgar Brodie is sent to Switzerland by the Intelligence Service. He has to kill a German agent. During the mission he meets a fake general first and then Elsa Carrington who helps him in his duty. Written by
Claudio Sandrini <email@example.com>
This was Michael Redgrave's film debut. He played the part of an Army Captain and appears in two scenes. The first is near the beginning of the film when he appears at the end of the scene between Ashenden and R. He also appears near the end of the film when he is introduced to Colonel Anderson in the sauna. See more »
When you first see the hotel bathroom, the toilet roll is held on its holder with the end hanging at the back of the toilet roll hanger. When 'The General', however, goes on a strop for not having a wife 'issued' to him, the toilet roll is hanging with the end on the front of the toilet roll holder. See more »
Though definitely one of the better films of Hitchcock's British Primitive period, it's still hard to see the hand of the master craftsman who would make "Rebecca" in this interesting but clumsy spy melodrama. The two major problems in this film are John Gielgud, looking distinctly uncomfortable in a dashing leading man role that would have gone down much better with Robert Donat or Laurence Oliver, and Peter Lorre, not able to do much with the grotesque, embarrassing Mexican blackface minstrel routine the film forces on him. The film's saving graces are Robert Young as Gielgud's unsettlingly suave American rival, and Madeline Carroll, looking and sounding uncannily like Miranda Richardson as perhaps the most uncharacteristically vivacious of Hitchcock's cool blonde heroines.
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