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Satan Met a Lady (1936)

Approved  |   |  Drama, Film-Noir, Mystery  |  22 July 1936 (USA)
6.2
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Ratings: 6.2/10 from 1,343 users  
Reviews: 31 user | 15 critic

Sardonic detective Shane, thrown out of one town for bringing trouble, heads for home and his ex-partner's detective agency. The business is in a sad way, and Shane, who has had the ... See full summary »

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Title: Satan Met a Lady (1936)

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Cast

Complete credited cast:
...
Warren William ...
Alison Skipworth ...
Arthur Treacher ...
Marie Wilson ...
Wini Shaw ...
Astrid Ames (as Winifred Shaw)
Porter Hall ...
Olin Howland ...
Charles C. Wilson ...
Detective Pollock (as Charles Wilson)
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Storyline

Sardonic detective Shane, thrown out of one town for bringing trouble, heads for home and his ex-partner's detective agency. The business is in a sad way, and Shane, who has had the forethought to provide himself with a 250-dollar commission from an old lady on the train, is welcomed with open arms. When pretty Valerie Purvis walks in the next day willing to pay over the odds to put a tail on the man who did her wrong, Shane's way with the ladies looks like paying off yet again. But things start to go wrong when his partner is murdered, and Shane himself comes home to find his apartment wrecked by a gentlemanly crook who comes back to apologise -- and to tell him a fascinating fairy-story about the fabled Horn of Roland that looks like not being so mythical after all. Miss Purvis wants protection. The police want answers. And all sorts of people want the 'French horn'... but Shane is one jump ahead of everyone all the way. Well, almost. Written by Igenlode Wordsmith

Plot Summary | Plot Synopsis

Plot Keywords:

horn | train | 1930s | macguffin | jewel | See All (30) »


Certificate:

Approved
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Details

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Release Date:

22 July 1936 (USA)  »

Also Known As:

Hard Luck Dame  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The second of three film adaptations of Dashiell Hammett's "The Maltese Falcon," this film has notable connections to both other versions. First, this film's screenwriter, Brown Holmes, was also credited as a screenwriter on The Maltese Falcon (1931), directed by Roy Del Ruth. Second, this film's cinematographer, Arthur Edeson, was also the director of photography for John Huston's The Maltese Falcon (1941). Third, Warren William, who plays the Sam Spade character (Ted Shane) in this film, also played Perry Mason in a series of films beginning in 1934, but was replaced in 1936 by Ricardo Cortez - who had played Sam Spade in the 1931 "Maltese Falcon". Finally, Bette Davis filled in for Raymond Burr when he had to have surgery in Perry Mason: The Case of Constant Doyle (1963). See more »

Goofs

In his discussion with Madame Barabbas, Shane tells her the item she seeks is so valuable that it is worth her paying him plenty to find it. But actor Warren William muffs the line, saying "It's worth playing me plenty." See more »

Quotes

Ted Shayne: Find anything in the divan?
Anthony Travers: Only a few hairpins and some loose change.
Ted Shayne: [holding out hat] Come across!
See more »

Connections

Version of The Maltese Falcon (1941) See more »

Soundtracks

I'd Rather Listen to Your Eyes
(1935) (uncredited)
Music by Harry Warren
Played as background music during and after Shayne ransacks Miss Purvis' room
See more »

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User Reviews

Easy Breezy Dramedy!
4 January 2003 | by (Syracuse, New York) – See all my reviews

Surprise! Satan Met a Lady is an easy breezy detective dramedy VERY LOOSELY based on the Dashiell Hammett Book, The Maltese Falcon. This book had been adapted for the film before (in 1931) and, more famously, after (1941), This version made its way to the silver screen in 1936, with Bette Davis in rare form in a comedic role. Warren William, who could be as suave as the similar and better known actor William Powell, plays it fast and loose as a detective out to settle a mystery-and maybe find himself very rich. This version of the Hammett tale has been sadly underrated due to the fact that many of its naysayers were suffering under a misapprehension concerning the tenor of the film. In their attempt to set it under the same microscope as its more famous remakes and premakes, many of the critics overlooked the simple truth that this is a light, comic bit of film fluff concocted to entertain a mid-Depression Era audience with its confection of comedy, mystery, and romance. It has none of the nihilistic brooding of the original book, nor the leering innuendo or virtuoso performances of the two other films. What it does provide is a diverting pastiche of one liners and clever story lines that keep its audience on the edge of their seat. Even if they're almost falling out of their seats for laughter, there's always a reason for the viewers to use (and not lose) their heads. I'd like to see most movies do that today (and at 76 minutes.)

The casting of the principal stars is first rate. There's always a glint of a coiled cobra in Warren Willliam's silver-tongued shamus. But most of the time he keeps his gun in his pocket and his tongue in his cheek. Even his name is a parody of the nickname for a detective. Bette Davis matches him line by line and sets the movie at its pace. she was still a young actress and everything she says and does is as real and as fresh as homebaked bread. Allison Skipworth makes a charming but sinister villianess. Arthur Treacher (hilarious as a thief with manners) and portly Porter Hall round off this mad quad of moneygrubbers all showing that not only is the love of money the root of all evil, it can also be very, very, funny. Like Arsenic and Old Lace and Beat The Devil, Satan Met a lady is one movie that was ahead of its time and, after more than 65 years, is still got plenty of zest and zing. A Thumbs up for Satan Met a Lady.


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