Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ... Written by
Ed Stephan <firstname.lastname@example.org>
Jeanette MacDonald's commercial recording of the title song was not recorded nor released commercially until more than 13 years after the film was made, after the eminently successful 1948 re-release. It was included in an RCA Victor Red Seal album called "Romantic Moments" and marketed simultaneously in 33-1/3 rpm, 45-rpm and 78-rpm editions. See more »
As Jack Burley walks past a piano backstage at the opera, there is a copy of "The Hollywood Reporter" propped up on the piano. This publication first appeared in 1930. See more »
[pointing at necklace]
Hey. I thought I told you not to wear that thing.
Ah gee, honey, I think it's nice.
Yeah? Well I think it makes you look cheap!
[Rips it off of her]
Now don't wear it anymore. Blackie doesn't like it.
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I still get a lump in my throat when Jeanette MacDonald belts out the song "San Francisco"
I have just watched the colorized version of this knock-out film. Whether in color or B &W, it is a powerfully entertaining film. When Blackie Norton finds religion and Mary Blake spots him, humbled and on his redemption encrusted knees,tears well up in my jaded eyes. Everything works so wonderfully in this film. Still, as destructive and tragic as the earthquake scenes are,this movie is basically a love story and what male would not swoon over the voice and the innocence of Mary Blake. Certainly not me.
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