An elderly Miss Morrison recounts her life as the once young and beautiful opera singer Marcia Morney-then the toast of Napoleon III's Paris. One evening, she encounters an American voice ... See full summary »
Robert Z. Leonard
A newspaper man, his ignored fiancée, and his former employee a down on his luck reporter hatch an elaborate scheme to turn a false news story into the truth, to stop a high-society woman from suing for libel.
Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ... Written by
Ed Stephan <email@example.com>
Jeanette MacDonald's commercial recording of the title song was not recorded nor released commercially until more than 13 years after the film was made, after the eminently successful 1948 re-release. It was included in an RCA Victor Red Seal album called "Romantic Moments" and marketed simultaneously in 33-1/3 rpm, 45-rpm and 78-rpm editions. See more »
As Blackie walks away from a building being blown up (actually a process shot), Clark Gable's head becomes momentarily transparent. See more »
Oh, yes "San Francisco" was a masterpiece movie when it was made in 1936 - the special effects designed and brilliantly brought to the screen by MGM were astounding, and this film was a giant hit. Having seen it many times over, I am still enthralled by the Earthquake scenes, and it was great to see Spencer Tracy and Clark Gable working so well together - somehow this was one of Gable's best two roles of his career as Blackie. Jeanette MacDonald was somewhat miscast in some ways, but her singing of "Nearer My God to Thee" was inspirational - it was a pity it was so short. The supporting cast was excellent while the spirit of the city of San Francisco was well captured by the direction of W.S. van Dyke. Jack Holt and Jessie Ralph, a couple of old stagers, did well - but the star of the show was the Earthquake.
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