7.3/10
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San Francisco (1936)

Unrated | | Drama, Musical, Romance | 26 June 1936 (USA)
A Barbary Coast saloonkeeper and a Nob Hill impresario are rivals for the affections of a beautiful singer, both personally and professionally in 1906 San Francisco.

Director:

(uncredited)

Writers:

(screen play), (from the story by) (as Robert Hopkins)
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Won 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
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Mat
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Trixie
...
...
'Babe'
...
Sheriff
...
Professor
...
Signor Baldini
...
'Chick'
Roger Imhof ...
...
Tony (as Charles Judells)
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Storyline

Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ... Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Together For The First Time See more »

Genres:

Drama | Musical | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

26 June 1936 (USA)  »

Also Known As:

A Cidade do Pecado  »

Box Office

Budget:

$1,300,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Spencer Tracy, playing a priest, makes a note to himself in one scene, "That Rooney kid skipped Mass again . . . " Two years later he again plays a priest in Boys Town (1938) who is tasked with reforming a boy played by Mickey Rooney. See more »

Goofs

After the Earthquake, the driver of a Salvation Army wagon tells Blackie Norton that he is heading to "Daly City to get milk for the kiddies." Daly City was not incorporated until 1911. In 1906 it was called Vista Grande. See more »

Quotes

Jack Burley: [referring to Mary Blake] Well, there's no law against an opera singer being slender, young and beautiful.
See more »

Connections

Referenced in Columbo: The Conspirators (1978) See more »

Soundtracks

Happy New Year
(1936) (uncredited)
Music by Bronislau Kaper and Walter Jurmann
Lyrics by Gus Kahn
Performed by Shirley Ross
See more »

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User Reviews

 
A stunning film, especially for the 1930's
25 October 2000 | by (Seattle, Wa. USA) – See all my reviews

This movie has it all: good history, great acting, superb special effects, a Stellar cast (Gable, Tracy, and McDonald, all top stars at the time), and a great story line. You get so wrapped up in the lives of these people that you even forget that there's an earthquake a' comin', until it HITS, and right in the middle of the human drama... Remember the first time you saw it? The timing was SO good that I'm sure most audience members felt the same confusion and sense of impending doom that the characters on-screen were experiencing at the same time. It's a real jaw-dropper...

In addition, there's a string of occurrences in this film which often go overlooked by all of the above: the INCREDIBLE singing of Jeanette McDonald, which punctuates the film at several key moments. When she sings, on demand, "Love Me and the World is Mine", the audience, just like Blackie Norton, can't help but be stunned by her voice, seeing that this woman has a set of PIPES! Whether it's opera, hymns, or the title song, her singing is the thread that ties all the parts of this film together, and, considering sound recording in 1936, it's stunning. Next time you visit this film, make a note to yourself: focus on her singing. She had an amazing talent that no one in film has matched, before or since. Her singing alone makes this film worth the price of admission.

So, rent the film and enjoy one of the greats... can't wait until it comes out on DVD.


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