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San Francisco (1936)

 -  Drama | Musical | Romance  -  26 June 1936 (USA)
7.4
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Ratings: 7.4/10 from 3,247 users  
Reviews: 62 user | 18 critic

A Barbary Coast saloonkeeper and a Nob Hill impresario are rivals for the affections of a beautiful singer, both personally and professionally in 1906 San Francisco.

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(uncredited)

Writers:

(screen play), (from the story by)
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Title: San Francisco (1936)

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Won 1 Oscar. Another 1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Jessie Ralph ...
Ted Healy ...
Mat
Shirley Ross ...
Trixie
Margaret Irving ...
Harold Huber ...
'Babe'
Edgar Kennedy ...
Sheriff
Al Shean ...
Professor
William Ricciardi ...
Signor Baldini
Kenneth Harlan ...
'Chick'
Roger Imhof ...
Charles Judels ...
Tony (as Charles Judells)
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Storyline

Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ... Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

She Fell In Love . . . with the toughest guy on the toughest street in the world ! See more »

Genres:

Drama | Musical | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

26 June 1936 (USA)  »

Also Known As:

San Francisco  »

Box Office

Budget:

$1,300,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

D.W. Griffith directed several scenes without ever being credited. See more »

Goofs

As Jack Burley walks past a piano backstage at the opera,there is a copy of "The Hollywood Reporter" propped up on the piano. This publication first appeared in 1930. See more »

Quotes

[first lines]
Blackie Norton: Well sister, what's your racket?
Mary Blake: I'm a singer!
Blackie Norton: Let's see your legs!
Mary Blake: I said, I'm a singer!
Blackie Norton: Alright, let's see your legs!
See more »

Connections

Referenced in Hired Gun (1973) See more »

Soundtracks

Happy New Year
(1936) (uncredited)
Music by Bronislau Kaper and Walter Jurmann
Lyrics by Gus Kahn
Performed by Shirley Ross
See more »

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User Reviews

 
A stunning film, especially for the 1930's
25 October 2000 | by (Seattle, Wa. USA) – See all my reviews

This movie has it all: good history, great acting, superb special effects, a Stellar cast (Gable, Tracy, and McDonald, all top stars at the time), and a great story line. You get so wrapped up in the lives of these people that you even forget that there's an earthquake a' comin', until it HITS, and right in the middle of the human drama... Remember the first time you saw it? The timing was SO good that I'm sure most audience members felt the same confusion and sense of impending doom that the characters on-screen were experiencing at the same time. It's a real jaw-dropper...

In addition, there's a string of occurrences in this film which often go overlooked by all of the above: the INCREDIBLE singing of Jeanette McDonald, which punctuates the film at several key moments. When she sings, on demand, "Love Me and the World is Mine", the audience, just like Blackie Norton, can't help but be stunned by her voice, seeing that this woman has a set of PIPES! Whether it's opera, hymns, or the title song, her singing is the thread that ties all the parts of this film together, and, considering sound recording in 1936, it's stunning. Next time you visit this film, make a note to yourself: focus on her singing. She had an amazing talent that no one in film has matched, before or since. Her singing alone makes this film worth the price of admission.

So, rent the film and enjoy one of the greats... can't wait until it comes out on DVD.


50 of 57 people found this review helpful.  Was this review helpful to you?

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