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San Francisco (1936)

 -  Drama | Musical | Romance  -  26 June 1936 (USA)
7.4
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Ratings: 7.4/10 from 3,389 users  
Reviews: 64 user | 19 critic

A Barbary Coast saloonkeeper and a Nob Hill impresario are rivals for the affections of a beautiful singer, both personally and professionally in 1906 San Francisco.

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(uncredited)

Writers:

(screen play), (from the story by)
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Title: San Francisco (1936)

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Won 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Jessie Ralph ...
Ted Healy ...
Mat
Shirley Ross ...
Trixie
Margaret Irving ...
Harold Huber ...
'Babe'
Edgar Kennedy ...
Sheriff
Al Shean ...
Professor
William Ricciardi ...
Signor Baldini
Kenneth Harlan ...
'Chick'
Roger Imhof ...
Charles Judels ...
Tony (as Charles Judells)
Edit

Storyline

Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ... Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

They were born to fall in love! See more »

Genres:

Drama | Musical | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

26 June 1936 (USA)  »

Also Known As:

A Cidade do Pecado  »

Box Office

Budget:

$1,300,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

One of Mary's opera gowns was later used for "Glinda" in The Wizard of Oz (1939). See more »

Goofs

The earthquake actually occurred at 5:13 am. In the movie the timing appears to be in the late evening, not in the early morning. The prologue of the opening credits states the correct time of the earthquake: April 18, 1906 at 5:13 am but it is easy to understand any confusion since with the cinematography at the time, day for night shots were used in exterior sets and with model sets, so that the full impact of the earthquake in progress could be easily seen. Also, it took at least three days for the fire to be extinguished and with the one night shot in those sequences, it appears that the timing of events after the earthquake was much shorter than it actually was. See more »

Quotes

[first lines]
Blackie Norton: Well sister, what's your racket?
Mary Blake: I'm a singer!
Blackie Norton: Let's see your legs!
Mary Blake: I said, I'm a singer!
Blackie Norton: Alright, let's see your legs!
See more »

Connections

Featured in Northward, Ho! (1940) See more »

Soundtracks

Love Me and the World Is Mine
(1906) (uncredited)
Music by Ernest Ball
Lyrics by Dave Reed Jr.
Sung by Jeanette MacDonald
See more »

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User Reviews

wait for it
11 July 2001 | by (United States) – See all my reviews

San Francisco, like so many other films from this era, just reminds me again how movies today have lost the art of the build-up. They just hit you over the head with mind-numbing action from frame one. Hollywood(and audiences of today) would do well to watch classics like "San Francisco", where story takes precedence over special effects and when the effects do come, they are in service to the story. And they mean so much more and have so much more impact when held back until the last possible moment. Why can't we allow ourselves to be immersed in the story? Or are we just too impatient for it now?


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