Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ... Written by
Ed Stephan <firstname.lastname@example.org>
When Blackie is looking at the facade of a building crumbling, you can quickly see the giant hand of an FX technician pushing the facade away from the miniature building at the top right. See more »
Hello, Della. I'm glad to see you again.
You won't be for long. I just dropped over to tell you what I think of you. You know, I haven't seen this woman since she walked out on the best man in San Francisco to marry the town's number one rodent.
I think you better go, Della.
Oh, no. I've got a few things I want to tell you, too. Now, in case you folks don't follow me, I'll tell you that this mouse here has just had a padlock put on The Paradise and thrown all of Blackie Norton's performers in ...
[...] See more »
San Francisco, like so many other films from this era, just reminds me again how movies today have lost the art of the build-up. They just hit you over the head with mind-numbing action from frame one. Hollywood(and audiences of today) would do well to watch classics like "San Francisco", where story takes precedence over special effects and when the effects do come, they are in service to the story. And they mean so much more and have so much more impact when held back until the last possible moment. Why can't we allow ourselves to be immersed in the story? Or are we just too impatient for it now?
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