| Photos (See all 27 | slideshow) | Videos (see all 3) |
| Sylvia Sidney | ... | Mrs. Verloc (as Sylvia Sydney) | |
| Oskar Homolka | ... | Her Husband (as Oscar Homolka) | |
| Desmond Tester | ... | Her Young Brother | |
| John Loder | ... | Ted | |
| Joyce Barbour | ... | Renee | |
| Matthew Boulton | ... | Superintendent Talbot | |
| S.J. Warmington | ... | Hollingshead | |
| William Dewhurst | ... | The Professor | |
| rest of cast listed alphabetically: | |||
| Pamela Bevan | ... | Miss Chatham's Daughter (uncredited) | |
| Peter Bull | ... | Michaelis - Conspirator (uncredited) | |
| Albert Chevalier | ... | Cinema Commissioner (uncredited) | |
| Clare Greet | ... | Mrs. Jones - Cook (uncredited) | |
| Charles Hawtrey | ... | Studious Youth at the Aquarium (uncredited) | |
| Martita Hunt | ... | Miss Chatham - The Professor's Daughter (uncredited) | |
| Mike Johnson | ... | Member of Cinema Crowd (uncredited) | |
| Hubert Leslie | ... | Conspirator (uncredited) | |
| Aubrey Mather | ... | W. Brown & Sons Greengrocer (uncredited) | |
| Frederick Piper | ... | Bus Conductor (uncredited) | |
| Fred Schwartz | ... | Tailor (uncredited) | |
| Torin Thatcher | ... | Yunct - Conspirator (uncredited) | |
| Austin Trevor | ... | Vladimir - Paymaster at Aquarium (uncredited) | |
| Jack Vyvian | ... | Detective (uncredited) | |
| Sam Wilkinson | ... | Cinema Patron Who Wants His Money Back (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Joseph Conrad | (novel "The Secret Agent") | |
| Charles Bennett | (screenplay) | |
| Ian Hay | (dialogue) & | |
| Helen Simpson | (dialogue) | |
| E.V.H. Emmett | (additional dialogue) (as E.V.H.Emmett) | |
Produced by | |||
| Michael Balcon | .... | producer (uncredited) | |
| Ivor Montagu | .... | associate producer (uncredited) | |
Original Music by | |||
| Hubert Bath | (uncredited) | ||
| Jack Beaver | (uncredited) | ||
| Louis Levy | (uncredited) | ||
Cinematography by | |||
| Bernard Knowles | (photography) | ||
Film Editing by | |||
| Charles Frend | |||
Art Direction by | |||
| Oscar Friedrich Werndorff | (as O. Werndorff) | ||
| Albert Jullion | (uncredited) | ||
Costume Design by | |||
| Joe Strassner | (dresses) (as J. Strassner) | ||
Second Unit Director or Assistant Director | |||
| Pen Tennyson | .... | assistant director (uncredited) | |
Art Department | |||
| Albert Whitlock | .... | scenic artist (uncredited) | |
Sound Department | |||
| A. Cameron | .... | sound recordist | |
Camera and Electrical Department | |||
| Stephen Dade | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Marianne | .... | wardrobe | |
Music Department | |||
| Louis Levy | .... | musical director | |
Other crew | |||
| Alma Reville | .... | continuity | |
Thanks | |||
| Walt Disney | .... | thanks: Cartoon sequence by arrangement with | |
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| The Glass House | The Quiet American | The 39 Steps | The House on 92nd Street | Original Sin |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb UK section |
Most buffs and fans of Alfred Hitchcock point to 39 STEPS or LADY VANISHES as his best work before he hit Hollywood in 1940. SABOTAGE is really the first time we see a pure thriller, specifically a spy thriller, which became so commonplace throughout the master's career. The main character is an undercover agent, looking to break up a ring of saboteurs bent on destroying London. Hitch places the head villain within, what else, a cinema, something that adds to the already rich atmosphere. The film was also shot on location, an oddity for Hitch.
Check out the camera movements and use of shadows in regard to the villain (played by a creepy looking Oscar Homolka). They reveal a lot to us the viewer and lead us to hope for his wife to figure it all out. An ominous image of London falling is depicted from the point of view of Oscar. This is pretty basic stuff, but, considering how old the film is, it still packs a punch. The scene on the bus, where a young boy carries a film tin which may or may not carry a bomb is extremely suspenseful and well-done. We even see a British crowd in the movie theater watching a Disney flick (which is well noted in the opening credits).
1934's THE MAN WHO KNEW TOO MUCH was an effective early thriller, better than the 1956 remake, however, this is the film to start with if studying Hitchcock's career. You may find yourself preferring some of his British films, like MAN WHO KNEW, to his work in Hollywood. SABOTAGE provides the goods for the first time.