A Scotland Yard undercover detective is on the trail of a saboteur who is part of a plot to set off a bomb in London. But when the detective's cover is blown, the plot begins to unravel.
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A man in London tries to help a counterespionage agent. But when the agent is killed and he stands accused, he must go on the run to both save himself and also stop a spy ring trying to steal top secret information.
Director:
Alfred Hitchcock
Stars:
Robert Donat,
Madeleine Carroll,
Lucie Mannheim
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Director:
Brian De Palma
Stars:
Michael Caine,
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Nancy Allen
An old man and his sister are concealing a terrible secret from their adopted teen daughter, concerning a hidden abandon farmhouse, located deep in the woods.
Director:
Delmer Daves
Stars:
Edward G. Robinson,
Lon McCallister,
Judith Anderson
The population of a small, isolated countryside village believe that their alliance with the mysterious creatures that inhabit the forest around them is coming to an end.
Director:
M. Night Shyamalan
Stars:
Bryce Dallas Howard,
Joaquin Phoenix,
William Hurt
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Twenty years after the murder of Alice Barlow, her house is finally occupied again. However, the husband of the couple who have moved in has a secret which he will do anything to keep hidden.
Director:
Thorold Dickinson
Stars:
Anton Walbrook,
Diana Wynyard,
Frank Pettingell
Mr. Verloc is part of a gang of foreign saboteurs operating out of London. He manages a small cinema with his wife and her teenage brother as a cover, but they know nothing of his secret. Scotland Yard assign an undercover detective to work at the shop next to the cinema in order to observe the gang. Written by
Col Needham <col@imdb.com>
The first name of Verloc (played by Oskar Homolka) was changed from Adolf to Karl to avoid any Nazi connections. See more »
Goofs
Stevie's hair and the foam on his mouth as he is being subjected to the street vendor. See more »
Quotes
[first lines]
Man in power plant:
Sand.
2nd Man in power plant:
Sabotage.
3rd Man in power plant:
Wrecking.
4th Man in power plant:
Deliberate.
2nd Man in power plant:
What's at the back of it?
3rd Man in power plant:
Who did it?
See more »
Crazy Credits
Opening credits are shown with a background of a dictionary page open to the definition of "Sabotage". See more »
"Love's Old Sweet Song (Just a Song At Twilight)"
(1884) (uncredited)
Music by J.L. Molloy
Lyrics by G. Clifton Bingham
Sung a cappella by a man lighting candles See more »
Most buffs and fans of Alfred Hitchcock point to 39 STEPS or LADY VANISHES as his best work before he hit Hollywood in 1940. SABOTAGE is really the first time we see a pure thriller, specifically a spy thriller, which became so commonplace throughout the master's career. The main character is an undercover agent, looking to break up a ring of saboteurs bent on destroying London. Hitch places the head villain within, what else, a cinema, something that adds to the already rich atmosphere. The film was also shot on location, an oddity for Hitch.
Check out the camera movements and use of shadows in regard to the villain (played by a creepy looking Oscar Homolka). They reveal a lot to us the viewer and lead us to hope for his wife to figure it all out. An ominous image of London falling is depicted from the point of view of Oscar. This is pretty basic stuff, but, considering how old the film is, it still packs a punch. The scene on the bus, where a young boy carries a film tin which may or may not carry a bomb is extremely suspenseful and well-done. We even see a British crowd in the movie theater watching a Disney flick (which is well noted in the opening credits).
1934's THE MAN WHO KNEW TOO MUCH was an effective early thriller, better than the 1956 remake, however, this is the film to start with if studying Hitchcock's career. You may find yourself preferring some of his British films, like MAN WHO KNEW, to his work in Hollywood. SABOTAGE provides the goods for the first time.
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Most buffs and fans of Alfred Hitchcock point to 39 STEPS or LADY VANISHES as his best work before he hit Hollywood in 1940. SABOTAGE is really the first time we see a pure thriller, specifically a spy thriller, which became so commonplace throughout the master's career. The main character is an undercover agent, looking to break up a ring of saboteurs bent on destroying London. Hitch places the head villain within, what else, a cinema, something that adds to the already rich atmosphere. The film was also shot on location, an oddity for Hitch.
Check out the camera movements and use of shadows in regard to the villain (played by a creepy looking Oscar Homolka). They reveal a lot to us the viewer and lead us to hope for his wife to figure it all out. An ominous image of London falling is depicted from the point of view of Oscar. This is pretty basic stuff, but, considering how old the film is, it still packs a punch. The scene on the bus, where a young boy carries a film tin which may or may not carry a bomb is extremely suspenseful and well-done. We even see a British crowd in the movie theater watching a Disney flick (which is well noted in the opening credits).
1934's THE MAN WHO KNEW TOO MUCH was an effective early thriller, better than the 1956 remake, however, this is the film to start with if studying Hitchcock's career. You may find yourself preferring some of his British films, like MAN WHO KNEW, to his work in Hollywood. SABOTAGE provides the goods for the first time.