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Rose-Marie (1936)

Passed  |   |  Musical, Romance, Adventure  |  31 January 1936 (USA)
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Ratings: 7.1/10 from 815 users  
Reviews: 23 user | 7 critic

Opera singer (Marie de Flor) seeks out fugitive brother in the Canadian wilderness. During her trek, she meets a Canadian mountie (Sgt. Bruce) who is also searching for her brother. Romance... See full summary »



(screen play), (screen play), 3 more credits »
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Title: Rose-Marie (1936)

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Complete credited cast:
Sergeant Bruce
John Flower
George Regas ...
Robert Greig ...
Hotel Manager
Lucien Littlefield ...
Teddy (as David Nivens)
Herman Bing ...
Mr. Daniells


Opera singer (Marie de Flor) seeks out fugitive brother in the Canadian wilderness. During her trek, she meets a Canadian mountie (Sgt. Bruce) who is also searching for her brother. Romance ensues, resulting in several love duets between the two. Written by Tom Ford <>

Plot Summary | Add Synopsis


Jeanette MacDonald and Nelson Eddy in the most famous film of their careers! (re-release) See more »


Passed | See all certifications »




Release Date:

31 January 1936 (USA)  »

Also Known As:

Indian Love Call  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Hunted killer Robert Miller Barr, whose companion was lynched in Yreka, California, the year before for killing two cops while he himself escaped, got a job as an extra in this movie while on the run. He appears in 8 scenes. See The Spokesman-Review, Sept 16, 1936. See more »


When the Sgt. returns to the room to find Rose Marie gone, he wakes the manager for entry, when the manager enters the room he has a noticeably different night shirt on than before he entered, one has vertical stripes the other horizontal. See more »


Marie de Flor: That's the worst orchestra and the worst conductor I've ever sung with!
[To the tenor]
Marie de Flor: And what was the idea of holding every high A longer than I did?!?
See more »


Referenced in Good Neighbors: A Tug of the Forelock (1976) See more »


Roméo et Juliette
(1867) (uncredited)
Music by Charles Gounod
Libretto by Jules Barbier and Michel Carré
Excerpts from the opera Sung by Jeanette MacDonald, Allan Jones, Olga Dane and Chorus
See more »

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User Reviews

Beyond Camp
14 March 2004 | by (Hollywood) – See all my reviews

I'm tired of the condescending and facile "appreciations" of Eddy-MacDonald, particularly in "Rose Marie." Does no one actually pay attention to the movie?

For those who dismiss Rose Marie as a "saccharine" confection, this is an operetta. Get it? O-p-e-r-e-t-t-a. Light opera. L-i-g-h-t. No more saccharine than a Nicholas Cage vehicle like It Could Happen to You. Yes, the soundtrack for the Indian spectacle sounds, alas, like the hoochee-coochee, demanded by the box office of the time, but even that unfortunate element is an interesting document of contemporary popular taste. If one claims to have the sensitivity to make judgments about a scene, he should first know how to place it in context.

The production values someone complains about - for the first Eddy song - is a process shot, about the same quality as others throughout the film, which were state of the art for the time. So if one can shed silly presentist snobbery, the production values are fine. And the location shots are spectacular.

Perhaps the stupidest criticism is that MacDonald and Eddy were "mediocre" talents. Yes, Eddy is famous for his supposed woodenness, but I think Rose Marie shows that with good direction - like that of W. S. Van Dyke - woodenness could become stolidity and then a buffer for heavy emotions highly prized by all actors. With Eddy it was "stiffness," but the same qualities in Cooper are called "natural" by the snobs. I challenge any other actor to deal with the inner conflict between love and duty as well as Eddy in Rose Marie. The scene when he says, "You'll remember me as just a policeman" is executed with exquisite torment and brittle irony - through that so-called "wooden" countenance.

As for Jeanette MacDonald, of course she wasn't an opera singer. She had a better job! As for her "mediocre" talent, MacDonald was not only beautiful, stable and smart, she was a fine actress and had an E above high C three-octave lyrical soprano voice. That kind of voice is far from mediocre.

As for Eddy's voice, it's a little on the flat side, but it's strong and masculine. In fact, both MacDonald and Eddy had highly successful solo recital careers after their breakup. Movie build-ups last only so long. After that, it's up to talent.

No, Rose Marie wasn't Gone With the Wind, but it wasn't a 1936 Rocky Horror Show either. To call it camp or kitsch is ill-informed and incompetent. So you graduates of the David Thomson (a hack who seems to have callow film snobs in his thrall) school of criticism, get a life. Rose Marie is a fine work of it's genre - a filmed operetta, no more, no less. Watch it as that and enjoy!

Oh yes, a note about the mutual feelings between MacDonald and Eddy, again dismissed by an ill-informed reviewer: documents submitted by their children are more than just "gossip." Also, before speaking about something you know nothing about, why not check out a photo of MacDonald's beloved husband, Gene Raymond. Remind you of anyone you know?

27 of 32 people found this review helpful.  Was this review helpful to you?

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