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Rose-Marie (1936)

Opera singer (Marie de Flor) seeks out fugitive brother in the Canadian wilderness. During her trek, she meets a Canadian mountie (Sgt. Bruce) who is also searching for her brother. Romance... See full summary »

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(screen play), (screen play) | 3 more credits »
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Cast

Complete credited cast:
...
...
Sergeant Bruce
...
R.O. Myerson
...
Romeo
...
John Flower
...
Premier
...
Belle
...
Boniface
Robert Greig ...
Hotel Manager
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Anna Roderick
...
Storekeeper
...
Teddy (as David Nivens)
...
Mr. Daniells
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Storyline

Opera singer (Marie de Flor) seeks out fugitive brother in the Canadian wilderness. During her trek, she meets a Canadian mountie (Sgt. Bruce) who is also searching for her brother. Romance ensues, resulting in several love duets between the two. Written by Tom Ford <tford@ucs.indiana.edu>

Plot Summary | Add Synopsis

Taglines:

Jeanette MacDonald and Nelson Eddy in the most famous film of their careers! (re-release) See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

31 January 1936 (USA)  »

Also Known As:

Indian Love Call  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 30-minute radio adaptation of the movie on June 23, 1947, with Nelson Eddy and Jeanette MacDonald reprising their film roles. See more »

Goofs

After the store clerk (Lucien Littlefield) tells Marie (Jeanette MacDonald) to go to the Mounted Police she wanders through the village and sees a poster stating that her brother Jack (James Stewart) is wanted for murder. The poster gives Jack's height as 6'1". Shortly afterwards, she again sees a copy of the poster listing his height as 6'1". Shortly after that she sees a third poster where Jack's height is listed as 5'8". (James Stewart was actually 6'3" tall.) See more »

Quotes

Marie de Flor: That's the worst orchestra and the worst conductor I've ever sung with!
[To the tenor]
Marie de Flor: And what was the idea of holding every high A longer than I did?!?
See more »


Soundtracks

Rose Marie
(1924) (uncredited)
Music by Rudolf Friml
Lyrics by Oscar Hammerstein II and Otto A. Harbach
Sung by Nelson Eddy
Played often in the score
See more »

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User Reviews

 
"When I'm Calling You..."
7 March 2009 | by (United States) – See all my reviews

It is rightfully considered kitch now, but it is effective kitch because of its two stars (two-and-a-half actually - more later), and the singing and background.

ROSE-MARIE is set in modern times (unlike MAYTIME and NAUGHTY MARIETTA and BITTERSWEET). Of the major successes of MacDonald and Eddy only SWEETHEARTS was set in modern times like this. MacDonald is a leading opera singer who is quite a prima donna type (she is arguing with leading man Allan Jones over priority in a duet they are singing at one point), but she has a secret. Her brother is a criminal in the hands of the police. She tries to help by giving a personal visit to Canada's Premier (Alan Mowbray) but before she can ask she is told her brother has escaped his jailers and killed one of them. She immediately flees and heads north to try to find and help him.

The film follows MacDonald's adventures into the hinterland, aided and abandoned by a "half-breed" type (George Regas), and even singing for food and money to get to her brother. But she eventually she runs into the Mountie sent to track the brother down: Eddy. As they are in a canoe together the sound track swells and we hear the number from this film that is on par with "Ah Sweet Mystery of Life" and "Maytime" in their cinematic songbook: "Indian Love Call".

Eddy is not a stiff actor. He is plainly enjoying his easy relations with his co-star (the rumor that he and MacDonald disliked each other is a lie, they became close friends), and has a piece of dialog where he admits that he uses one of his songs to romance all his girlfriends (it only failed to work with one named Maude, but then nothing worked with Maude he admits to a shocked MacDonald).

In the end it becomes a race between Nelson and Jeanette to reach the fugitive, and the result divides them...but will it be a permanent division?

ROSE-MARIE has several odd points in it. A bit player as a stage door johnny type is young David Niven. The Prime Minister played by Mowbray may have been based (considering Mowbray's appearance) not so much on William MacKenzie King but his predecessor Richard Bennett, who certainly looked more like Mowbray (and was more likely to attend operas).

But the most interesting cast change is the fugitive. It is Jimmy Stewart. Stewart (in 1936) frequently played atypical roles - not like his Jefferson Smiths, George Baileys, or MacCauley Conners. In AFTER THE THIN MAN he would play a character who is far from a really calm type. Here he plays a ne'er-do-well who has committed a murder. Even after MacDonald finds him Stewart's weak character tries to shrug off the mess of trouble he has gotten into. It is possibly the oddest character he ever played in a film.


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