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Romeo and Juliet (1936)

Passed | | Drama, Romance | 3 September 1936 (USA)
Young love is poisoned by a generations long feud between two noble families.

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(play), (adaptation)
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Nominated for 4 Oscars. Another 1 win & 1 nomination. See more awards »
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Cast

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Peter - Servant to Juliet's Nurse
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Virginia Hammond ...
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Storyline

The Montagues and the Capulets, two powerful families of Verona, hate each other. Romeo, son of Montague, crashes a Capulet party, and there meets Juliet, daughter of Capulet. They fall passionately in love. Since their families would disapprove, they marry in secret. Romeo gets in a fight with Tybalt, nephew of Lady Capulet, and kills him. He is banished from Verona. Capulet, not knowing that his daughter is already married, proceeds with his plans to marry Juliet to Paris, a prince. This puts Juliet in quite a spot, so she goes to the sympathetic Friar Laurence, who married her to Romeo. He suggests a daring plan to extricate her from her fix. Tragedy ensues. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Plot Keywords:

marry | banished | friar | prince | nephew | See All (213) »

Taglines:

Scenes of combat that will stir your pulse...tender haunting romance that will stay ever fresh in your memory...spectacular beauty that will set a feast for your eyes...in the greatest melodramatic romance of all time...presented as it has never been before...the final glorious flower of motion picture achievement.

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

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Details

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Release Date:

3 September 1936 (USA)  »

Also Known As:

Romeo og Julie  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Irving Thalberg wanted to make the production as authentic as possible, drafting in famous Shakespearean intellectuals John Tucker Murray from Harvard and William Strunk Jr from Cornell. Researchers were also sent to Verona to photograph the city while the art department was instructed to study the paintings of Botticelli, Bellini, Carpaccio and Gozzoli. See more »

Quotes

Samson - Servant of the House of Capulet: [Samson bites his thumb at Abraham and spits on the ground] I strike quickly being moved, than a dog of the house of Montague, moves me.
Abraham - Servant of the House of Montague: [the Montages walk behind Samson and Abraham puts his hand on his shoulder] Do you bite your thumb at us sir?
Samson - Servant of the House of Capulet: I do bite my thumb sir.
Abraham - Servant of the House of Montague: Do you bite your thumb at us sir?
Samson - Servant of the House of Capulet: Is the law on our side if I say aye?
Gregory - Servant of the House of Capulet: No.
Samson - Servant of the House of Capulet: No sir I do not bite my thumb at you sir, but I do bite my thumb sir.
[the men laugh and walks away, Samson and Gregory follows Abraham and walks up to him]
Samson - Servant of the House of Capulet:
Abraham - Servant of the House of Montague:
[...]
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Connections

Version of Giulietta e Romeo (1918) See more »

Soundtracks

Romeo and Juliet
(1869) (uncredited)
Written by Pyotr Ilyich Tchaikovsky
See more »

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User Reviews

 
Top Stars In Lavish, Intelligent Production
8 July 2002 | by (Forest Ranch, CA) – See all my reviews

ROMEO AND JULIET, the scions of old Verona's two most powerful families, become the playthings of fate & the fools of fortune.

This was a Very Big Film for MGM in 1936. No (reasonable) expenses spared. Not only was the Studio tackling The Bard for the first time in a major way, but the extreme celebrity of the original play guaranteed a great deal of public attention. Several choice roles were available for MGM's brightest stars and the part of Juliet would be the desire of every young actress on the lot.

Almost predictably the role went to Norma Shearer, who, as Irving Thalberg's wife, could almost pick & choose what she (or Irving) wanted. However, it should be stated at once that she is splendid in the role. Sweetly demure, innocent, apprehensive, fiercely protective of her love & recklessly heedless of her fate - she is Shakespeare's heroine.

She is matched by Leslie Howard's Romeo. A bit giddy at first with puppy love, he quickly matures into a tender lover & vengeful killer, finally willing, like Shearer, to forego all of his Catholic teaching and commit self-murder, thus dooming himself to Perdition.

Although decades too old for their roles (Juliet was 12, Miss Shearer 34; Romeo about 16, Mr. Howard was 43) they understand and speak their lines much more beautifully & proficiently than any teenager. Shakespeare's lines are really verse of a high order and demands skill & maturity. Howard & Shearer certainly have no problem there. Nor were they the only members of the cast whose ages were rather past the prime.

In his only feature length Shakespearean film, John Barrymore amply displays his celebrated talent in a bravura performance as an aging, sottish Mercutio. Barrymore understood the character thoroughly and he turns this strange, brilliant man into one of the film's chief treasures. Interestingly, much of his dialogue is rather scatological & gross, but being Shakespeare it seems to have flown under the radar of the Hays Office.

Edna May Oliver steals nearly every scene she's in as Juliet's waspish, eccentric Nurse. Basil Rathbone makes a fiery, insolent Tybalt. Reginald Denny adds a touch of distinction in the throwaway role of Benvolio, while wonderful old Sir C. Aubrey Smith & Violet Kemble Cooper are colorful as Juliet's parents.

At first blush, Andy Devine seems an odd choice for a Shakespearean production, but he is very competent as the Nurse's simpleminded servant.

Somewhat lost in this excellent cast is English actor Ralph Forbes in the rather thankless role of the County Paris. His is a somewhat sad story. Although replete with talent & charm, he still never quite reached the top echelons of stardom. He would have made a great Romeo.

Movie mavens will spot Katherine DeMille as the fair Rosaline (her cousin Agnes de Mille was the film's choreographer) and Ian Wolfe as the impoverished apothecary, both uncredited.

The film has wonderful production values - the sets, costumes and background score (borrowing themes from Tchaikovsky) all of the highest quality. For a small chuckle, watch closely during Juliet's dance at the Capulet ball - one of the dancers behind her steps on her dress hem and nearly trips. It's very fast, but worth catching.


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