Cowboy Jeff Larabee returns from the east and meets Doris Halloway, a young girl, that he regards as a vagabond, till he learns that she's the owner of the farm where he works. He tries to ... See full summary »
Crusty Dr. McRory of Fallbridge, Maine hires a replacement for his vacation sight unseen. Alas, he and young singing doctor Jim Pearson don't hit it off; but Pearson is delighted to stay, ... See full summary »
An unruly teenage gang, led by Mark Damon, gets their kicks by crashing square teen parties around town. At an innocent teen gathering, Damon charms rich spoiled brat Connie Stevens into ... See full summary »
A story of the boys who are sent to military school in order to get them out of the way of their too-busy-to-bother parents or guardians. Lonely young Philip Stewart (George Ernest)writes ... See full summary »
Robert F. McGowan
Of the singing Beebe brothers, young Mike just wants to be a kid; responsible Dave wants to work in his garage and marry Martha; but feckless Joe thinks his only road to success is through ... See full summary »
Frank Sr. sells his supplies to Hook, but then Hook has the Bannion Boys bushwhack his wagon to get the money back. Frank is murdered, but Junior gets away. He comes back 10 years later to ... See full summary »
Cowboy Jeff Larabee returns from the east and meets Doris Halloway, a young girl, that he regards as a vagabond, till he learns that she's the owner of the farm where he works. He tries to win her heart, but without success, until she is endangered by gangsters. Written by
Stephan Eichenberg <email@example.com>
Dated, but the first half of Frances Farmer's 1936 one-two punch to stardom
Several of the preceding comments have gone into great detail about the film and its pleasures. "Rhythm on the Range" is, to our modern jaded eyes and ears, obviously dated, but it has a charm and sly humor that are abundant enough that even 21st century sophisticates can enjoy it. I concur that the major reason to watch the film is for the wonderful performance of Frances Farmer, here somewhat eschewing her early haughty characterizations for an almost subversive comedic performance. This was Frances' first "A" production, after receiving top billing in two very well received Paramount "B"'s, "Too Many Parents" and "Border Flight." Frances went straight from this film to her legendary role(s) in Goldwyn's "Come and Get It," so from late summer, when "Rhythm" was released, through the end of 1936, when "Come and Get It" premiered, she was arguably the hottest, and certainly one of the most talked about, new stars of that era.
The duet one of the previous commenters mentioned, "The House Jack Built for Jill," was in fact filmed but was not, as that commenter stated, slated for the end of the film, but rather for the scene where Bing and Frances escape the rainstorm and find shelter in the farmhouse. I have Norman Taurog's original shooting script and the scene is still extant in the script, including Taurog's blue line through the pages indicating it was filmed.
One of the previous commenters repeated some unfortunately commonly believed misinformation about Frances. Though Frances' institutionalization was certainly no picnic (to say the least), the most horrifyingly sensationalized allegations about her treatment (found in both her ghost-written autobiography and the largely fictionalized "Shadowland") never happened, including the spurious claim that she was lobotomized. My article detailing the truth about these allegations, "Shedding Light on Shadowland," is linked under the Miscellaneous section on the IMDb listing for Frances Farmer. Or you can find it by using a search engine and searching for "Shedding Light on Shadowland."
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