| Dorothy Stone | ... | Claire Duval | |
| Dean Jagger | ... | Armand Louque | |
| Roy D'Arcy | ... | Gen. Mazovia | |
| Robert Noland | ... | Clifford Grayson | |
| George Cleveland | ... | Gen. Duval | |
| E. Alyn Warren | ... | Dr. Trevissant (as E. Alyn 'Fred' Warren) | |
| Carl Stockdale | ... | Ignacio / Max MacDonald | |
| William Crowell | ... | Priest Tsiang | |
| Teru Shimada | ... | Buna | |
| Adolph Milar | ... | Gen. von Schelling (as Adolph Millard) | |
| Sana Rayya | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Bela Lugosi | ... | The Eyes (archive footage) | |
| Selmer Jackson | ... | Officer (uncredited) | |
| Hans Schumm | ... | German Soldier (uncredited) | |
Directed by | |||
| Victor Halperin | |||
Writing credits(in alphabetical order) | ||
| Victor Halperin | uncredited | |
| Howard Higgin | uncredited | |
| Rollo Lloyd | uncredited | |
Produced by | |||
| Edward Halperin | .... | producer | |
Cinematography by | |||
| Jockey Arthur Feindel | (as J. Arthur Feindel) | ||
| Arthur Martinelli | |||
Film Editing by | |||
| Douglass Biggs | (as Douglas Biggs) | ||
Art Direction by | |||
| Leigh Smith | |||
Makeup Department | |||
| Phillip Scheer | .... | hair stylist | |
Production Management | |||
| John M. Hicks | .... | production manager (as John Hicks) | |
Sound Department | |||
| George P. Costello | .... | sound technician (as G.P. Costello) | |
Special Effects by | |||
| Ray Mercer | .... | special effects | |
Music Department | |||
| Abe Meyer | .... | musical director | |
| William Axt | .... | composer: stock music (uncredited) | |
| Charles Dunworth | .... | composer: stock music (uncredited) | |
| Erno Rapee | .... | composer: stock music (uncredited) | |
| Hugo Riesenfeld | .... | composer: stock music (uncredited) | |
Other crew | |||
| Leon D'Usseau | .... | studio executive | |
| Leigh Smith | .... | technical director | |
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| Imperium: Augustus | Beyond America | Random Harvest | Till We Meet Again | St. Paul |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
No, not in any way a masterpiece, but in no way deserving of a 2.6 on the IMDb poll, this film is better than its' reputation!
I have avoided this film directly for 10 years because of its' reputation. 10 years ago I first saw White Zombie, the Halperin brothers first zombie film, and a horror classic, and was impressed. However, I didn't get this one mostly because Lugosi wasn't in it.
Finally, after skipping this title nearly a hundred times, year after year, I finally decided to shell out the eight bucks and sit in horror of pure nonsense, and honestly it wasn't that bad. In fact, there are some redeeming qualities in this. It reminds me a bit of another good independent effort from the year before, Condemned to Live. And the acting is certainly not any worse than in White Zombie, minus, of course, the huge Lugosi charisma.
Needless to say, the Halperin brothers employed many of the same cinematic styles from their previous zombie hit. Gone, though, is the heavy music; this time less influential stock music is used. Gone also, are the split screen wipes that made some of the imagery in the previous film so memorable. But, this is still a typical-looking low budget horror from 1936. No better, but no worse.
What the problem must be is reputation. This film seems to have some undeserving bullseye on its' head because it is the follow-up to White Zombie. The truth is, another soon-to-be bankrupt studio produced this film and did as good a job on it as any other poverty row horror production up to that time.
If you look up other, EXTREMELY SIMILAR low budget horrors from the 30s, many of which I have suffered through, this one has by far the worst IMDb rating. It only proves that the weighted average is no safety against ballot stuffers - it is equally damaging when only 25% of the people vote below the weighted average and 75% is above. It feels like Bush- Gore all over again. :-) 6/10 - 2 1/2 stars.