This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he ...
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What do women want? Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to ... See full summary »
An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the ... See full summary »
On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, ... See full summary »
Mick and Tom are an unlikely father-son team of petty thieves. They've been hired to steal a painting from a museum. By accident, they steal the wrong painting: Denmark's only original Rembrandt masterpiece, worth millions.
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he is bankrupt but consoles himself with the company of pretty maid Hendrickje, whom he's unable to marry. Their relationship brings ostracism but also some measure of happiness. The final scenes find him in his last year, 1669, physically enfeebled but his spirit undimmed. Written by
Rod Crawford <firstname.lastname@example.org>
Beautiful Women...saints and sinners, tender and tempestuous...feeding the fires of his genius with reckless abandon! Eager to share his exciting life...his intense love...even the wrath of men who cried: "Shame!" See more »
When Rembrandt reveals the newly completed painting, 'The Night Watch', we see not the full, original version that he in fact painted, but the drastically butchered version that was made over 40 years after his death, when the painting was moved from its original exhibition space in the Kloveniersdoelen to a less capacious display space in the Amsterdam Town Hall in 1715. See more »
Rembrandt van Rijn:
I'm not looking at you as a... man looks. I'm a painter. Painters have a different way of looking at things. You must imagine that I'm looking at you in the same way as the water with which you wash yourself or the air you move in, or the light that shines on you.
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Opening credits prologue: In the seventeenth century Holland was a world power, her ships carried treasure to Amsterdam from all parts of the earth. But her proudest glory was the son of a miller from Leyden, Rembrandt Van Rijn, the greatest painter that has ever lived. He died in obscurity, his belongings no more than a few shillings.
Today no millionaire is worth the money the works of Rembrandt would realise, if ever offered for sale. See more »
Truly wonderful and worth all the plaudits piled on this film after sixty-odd years. Laughton was arguably never better than in this role and has able support from Elsa Lanchester, Gertrude Lawrence (fascinating to see her and she made few films and they are rarely seen nowadays), the Livesey clan etc etc. A film of atmosphere, of clarity, and of soul, like a Rembrandt painting in fact. Marvellous.
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