Irene Wagner, the wife of prominent scientist Albert Wagner, finds herself blackmailed about her affair by her lover's jealous ex-girlfriend. The plot, an experiment in causing fear, drives her into a rage.
A gang terrorizes Mexico City's high society on 1915. Murder, kidnaping and robbery are their trademarks. One police inspector (Cabrera) follows the gang crimes and eventually send them to ... See full summary »
Juan de Homs,
Manuel de los Ríos
Wealthy Mrs. Khromova has a natural daughter, Musya, and an adopted daughter, Nata. The merchant Zhurov is in love with Nata, and hopes to marry her, but she is non-committal. When Zhurov ... See full summary »
Originally the part of Ramona was going to go to Rita Hayworth (under her original name, Rita Cansino). But when Darryl F. Zanuck became the head of 20th Century, he said Hayworth was too young for the role, and he gave it to Loretta Young. See more »
While Loretta Young and Don Ameche get top billing, there is no question that the real star of "Ramona" is the "new perfected technicolor" as the film's poster declared in 1936. The film was the 4th to be shot in the "perfected" 3-strip color process.
"Ramona" does looks beautiful. Its the slow-moving plot that really does the film in. I've seen travelogues from the period that have more to hold a viewer's attention. Basically, the story revolves around a taboo romance between Young (a beautiful Spanish girl) and Ameche (the friendly Indian). The most interesting aspect of the plot is the fact that the white settlers are portrayed as the villains, grabbing the land and possessions of the peaceful Indians...an unusually politically correct position for a mid 1930's movie.
If you're a fan of Loretta Young, Don Ameche, or beautiful technicolor, "Ramona" is worth a look...at least once. Repeat viewings could be painful.
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