6.1/10
99
6 user 1 critic

Public Enemy's Wife (1936)

Approved | | Crime, Drama, Mystery | 25 July 1936 (USA)
A mobster breaks out of prison to kill his ex-wife's new husband - who, by accident, is a FBI agent trying to capture him.

Director:

Writers:

(screen play), (screen play) | 1 more credit »
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Cast

Complete credited cast:
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Gene Ferguson
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Thomas Duncan McKay
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Wilcox (as Joseph King)
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Louie (as Richard Purcell)
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Warden Williams
Hal K. Dawson ...
Daugherty
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Justice of the Peace
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Swartzman (as Alan Bridge)
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G-Man
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Duffield
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Correlli
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Storyline

A mobster breaks out of prison to kill his ex-wife's new husband - who, by accident, is a FBI agent trying to capture him.

Plot Summary | Add Synopsis

Plot Keywords:

murder | See All (1) »

Taglines:

NOW LEARN THE SECRETS OF THE MATES OF THE MOBSTERS! (original ad - all caps) See more »

Genres:

Crime | Drama | Mystery

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

25 July 1936 (USA)  »

Also Known As:

A Esposa do Inimigo Público  »

Company Credits

Production Co:

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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Cesar Romero appears without his mustache in the first part of this film, one of the few (if not only) times he would do so. See more »

Goofs

In the car scene when Corelli is chasing Maroc, a road sign reads, "Palm Beach 71 Mi", but the scene is full of California-style mountains, unlike the flat swampland of 1930s St. Lucie county Florida. See more »

Connections

Remade as Bullets for O'Hara (1941) See more »

Soundtracks

The Wedding March
(1842) (uncredited)
from "A Midsummer Night's Dream"
Music by Felix Mendelssohn-Bartholdy
See more »

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User Reviews

 
Pitching too straight for a screwball
27 September 2007 | by See all my reviews

Released the same year as MGM's LIBELED LADY, this light Warner's crime drama shares a lot of plot points, tries for a comic take on the subject, but fails, in no small part because Pat O'Brien does not display the diffident feyness that William Powell brought to his role, in part because Margaret Lindsay lacks a light touch but mostly, I fear, because the screenwriters and director Nick Grinde can't quite bring off the material -- certainly Pat O'Brien was capable of handling comedy material and there is a lot of strong comic supporting actors. It's odd to see Cesar Romero, who could have played his role as a gangster with great comic timing, play it straight. The two best comedians are Al Bridge and Harry Hayden, in two almost invisible roles -- both later members of Preston Sturges' stock company.

But screwball was still finding its way at this point, and Nick Grinde was not the director to help it along. Too bad.


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