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The Princess Comes Across (1936)

Passed | | Comedy, Mystery, Romance | 22 May 1936 (USA)
A woman pretends to be royalty in order to get aboard a cruise ship.

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(screen play), (screen play) | 4 more credits »
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Cast

Complete credited cast:
...
Princess Olga
...
King Mantell
...
Lorel
...
Lady Gertrude
...
Captain Nicholls
...
Benton
...
Darcy
...
Cragg
...
Steindorf (as Sig Rumann)
...
Morevitch
...
The Stranger
Tetsu Komai ...
Kawati
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Storyline

A Swedish princess boards an ocean liner in Europe en route to an acting career in America, and finds herself getting inconveniently attached to a bandleader returning home. To complicate matters, a blackmailer on board apparently knows she is not who she claims to be - and he has his sights set on other passengers with secrets of their own. In the meantime an escaped killer has stowed away under someone else's identity, and is killing again to cover his tracks; five international police detectives on board are heading the investigation to find him. When evidence points to the princess and bandleader, they must find the killer themselves - before he finds them. Written by scgary66

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Certificate:

Passed | See all certifications »

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Details

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Release Date:

22 May 1936 (USA)  »

Also Known As:

A Princesa de Brooklyn  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Fred MacMurray, an accomplished musician, actually played his own concertina numbers in the film. See more »

Quotes

King Mantell: Your Highness, there's something wrong with your tub.
Princess Olga: Vat?
King Mantell: Yes, you see, the water runs in and it runs out, but the trouble is it runs out faster than it runs in. I discovered it this morning when I was trying to take a bath. It can only draw about that much water
[his fingers show an inch]
King Mantell: and you can't take a bath with that much water
[shows an inch again]
Princess Olga: Vell, if you're a ploomb-er, why don't you fix it?
King Mantell: Well, I'm not a ploomb-er, uh, I mean, a plumber, but I think I could fix it. Have you ...
[...]
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Soundtracks

It's You I'm Talking About
(1936) (uncredited)
Music by Harry Revel
Lyrics by Mack Gordon
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User Reviews

 
The Princess From Brooklyn
29 March 2007 | by (Buffalo, New York) – See all my reviews

Carole Lombard and Alison Skipworth are masquerading as a Swedish princess and her lady in waiting who are sailing to Hollywood to make a film. This is a bit of self ballyhoo that chorus girl Lombard from Brooklyn is giving for her film debut. Still band leader Fred MacMurray is intrigued by her.

Of course slimy blackmailer Porter Hall tries a little touch on both MacMurray and Lombard, MacMurray having done a stretch in jail as a juvenile. Later when Hall winds up murdered in Lombard's cabin, MacMurray moves the body and searches for the real killer. His only clue is that Hall had told him he had a third blackmail prospect on board the ship.

Easier said than done because also sailing on the ship are five police detectives from different countries on the way to a convention in California. When Hall's body does turn up, they all want to have a little competition as to who can crack the case first.

Sounds like a serious plot, but in fact it's a pretty breezy comedy with MacMurray and Lombard at their sophisticated best. One thing that was fascinating in the plot was that Mischa Auer and Sig Ruman being from the Soviet Union and Nazi Germany are playing detectives from the NKVD and the Gestapo respectively though that's hardly mentioned. Both are without their usual methods of investigation on the American cruise ship as is Tetsuro Komei for the Japanese. British Scotland Yard man Lumsden Hare and Surete detective Douglass Dumbrille round out our quintet of sleuths.

Best in the supporting cast is Hall as the blackmailer though. Also good is George Barbier as the ship's captain and William Frawley who a quarter of a century later would co-star with Fred MacMurray in My Three Sons is MacMurray's agent.

This was the second of four films MacMurray and Lombard did for Paramount in the Thirties. They were a good team together and don't get as much recognition as they should.

Despite the Thirties fashions and music, the film holds up very well today. It's Carole Lombard at her best.


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