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The Plough and the Stars (1936)

 |  Drama  |  26 December 1936 (USA)
5.8
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Ratings: 5.8/10 from 224 users  
Reviews: 5 user | 3 critic

A husband clashes with his wife over his membership to the Irish citizen army.

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(screenplay), (play)
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Title: The Plough and the Stars (1936)

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Cast

Cast overview, first billed only:
...
Preston Foster ...
...
Denis O'Dea ...
The Covey
Eileen Crowe ...
F.J. McCormick ...
Brennan
...
Arthur Shields ...
Moroni Olsen ...
J.M. Kerrigan ...
Uncle Peter
...
Erin O'Brien-Moore ...
Neil Fitzgerald ...
Langon
Robert Homans ...
Timmy the Barman
Brandon Hurst ...
Sergeant Tinley
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Storyline

A husband clashes with his wife over his membership to the Irish citizen army.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

26 December 1936 (USA)  »

Also Known As:

Horas Amargas  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

John Ford hated the film, which was to be his passion project. He even walked off the set, forcing assistant directors to finish shooting the movie, loudly proclaiming that RKO "ruined the damned thing." See more »

Connections

Version of De ploeg en de sterren (1975) See more »

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User Reviews

 
Ford's "Plough & the Stars" ('36) -- a powerful period piece
31 May 2010 | by (France) – See all my reviews

If you like Ireland, Irish history & literature, the traditions of the Irish people & the ambiguous creation of the Irish nation -- what's not to like about this movie? Sure, now, it's more John Ford than Sean O'Casey. But what would you be expectin from John Ford at the height of his creative spirit -- four years before he filmed "Grapes of Wrath"? Almost everyone in this movie plays their part with pungent efficiency. It's old-fashioned acting of the best sort. As movie, this is much more cinema of ideas, of belief & revolution, of theater, of language & gesture & non-verbal communication -- than our contemporary cinema of special effects and technicolor sensations. This movie is political entertainment of a very fine order; with as much said by the words as by what is shown. But how many people alive now can relate to it with the potency it must of had back in the 1930s?


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