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Next Time We Love (1936)

6.8
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Ratings: 6.8/10 from 307 users  
Reviews: 9 user | 3 critic

A young married couple's relationship becomes strained when he is assigned overseas as a foreign correspondent and she becomes a major stage star.

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(screenplay), (story), 4 more credits »
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Title: Next Time We Love (1936)

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Cast

Complete credited cast:
...
Cicely Hunt Tyler
...
Christopher Tyler
...
Tommy Abbott (as Raymond Milland)
...
Michael Jennings
Robert McWade ...
Frank Carteret
Anna Demetrio ...
Madame Donato
Ronnie Cosby ...
Kit (as Ronald Cosbey)
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Storyline

In New York, the rookie newsman Christopher "Chris" Tyler dreams on becoming a famous journalist. When his girlfriend Cicely spends a couple of days with him, they decide to get married and Cicely leaves college. Chris's best friend Tommy Abbott is his best man and becomes a family's friend. Chris has his great chance when his editor Frank Carteret sends him to Rome assigned as a foreign correspondent. Cicely stays in New York with Tommy and does not tell to Chris that she is pregnant. When she delivers the baby Kit, Chris celebrates and loses a big scoop and his boss fires him. Chris falls in disgrace and the couple has economic difficulties; however Tommy lends money to Cicely and offers an opportunity on the stage as an actress. Cicely is hired and becomes successful and Chris is depressed with the situation. Cicely seeks out Frank Carteret and explains the situation, and he offers a job opportunity to Chris in Russia. He accepts the job but Cicely stays in New York with their son.... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

Country:

Language:

Release Date:

30 January 1936 (USA)  »

Also Known As:

Amemos Outra Vez  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Screen Director's Playhouse" broadcast a 60 minute radio adaptation of the movie on March 29, 1951 with James Stewart reprising his film role. See more »

Connections

Featured in The Universal Story (1995) See more »

Soundtracks

Symphony No. 3 (Rhenish): 1st movement
(excerpt)"
Music by Robert Schumann
Played over opening credits
See more »

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User Reviews

 
I didn't know they made movies like this in the 30s (or the 40s, 50s, 60s, 70s...)
2 March 2009 | by (New York City) – See all my reviews

This is a very progressive film with themes way ahead of the times even for today. What does that mean? Usually when someone calls a film "progressive" it means it's hypersexed, banned by the Pope or has gratuitous shots of belly buttons. Right, well, none of that. NEXT TIME WE LOVE is progressive because it delves into interpersonal issues that simply "didn't exist" in the golden age of Hollywood.

A wife who chooses career over family? Preposterous. A husband/father who neglects the upbringing of his child? Outrageous. A marriage that is mutually tolerant of infidelity? Sacrilegious. Hollywood has historically depicted the marriage ceremony as the proverbial "happily ever after"; yet in this film we get a sober and realistic view of how life really works.

There are no dramatic fireworks, no cartoonish liaisons, no screaming or breaking things like we might get in a modern film dealing with this subject. Instead, it's extremely subtle and believable. There's not much flashy plot to sink your MTV-starved mind into, but if instead you like to digest your films slowly and comprehend the meaning behind every gesture--the tension in Margaret Sullivan's spine, the repressed torment in Jimmy Stewart's posture, the way a cigarette can be worth a thousand words when lit at the perfect moment--then this film is for you.

One thing worth mentioning... this is one of the few films that handles the aging of characters in a credible manner. Margaret goes from a giddy schoolgirl to a mature woman of the world. Jimmy goes from a brash adventurer to a pensive introvert. The makeup, hairstyles, clothes and especially the way the actors carry themselves convey the passage of time as the film progresses over a decade (perhaps mirroring the awakening of a nation from the roaring 20s to the tougher times that followed). The climactic hotel meeting near the end of the film presents two completely different personalities from what we originally met; you could almost believe that it was played by two new actors, but no, we owe it all to the fantastic acting & direction of this film.


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