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Osaka Elegy (1936) More at IMDbPro »Naniwa erejî (original title)


2016 | 2013 | 2012

2 items from 2016


The Eclipse Viewer – Episode 48 – Kenji Mizoguchi’s Fallen Women [Part 2]

4 November 2016 5:00 AM, PDT | CriterionCast | See recent CriterionCast news »

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor is joined by Scott Nye to discuss Eclipse Series 13: Kenji Mizoguchi’s Fallen Women.

About the films:

Over the course of a three-decade, more than eighty film career, master cineaste Kenji Mizoguchi (Ugetsu, Sansho the Bailiff) would return again and again to one abiding theme: the plight of women in Japanese society. In these four lacerating works of social consciousness—two prewar (Osaka Elegy, Sisters of the Gion), two postwar (Women of the Night, Street of Shame)—Mizoguchi introduces an array of compelling female protagonists, crushed or resilient, who are forced by their conditions and culture into compromising positions. With Mizoguchi’s visual daring and eloquence, these films are as »

- David Blakeslee

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The Eclipse Viewer – Episode 47 – Kenji Mizoguchi’s Fallen Women [Part 1]

5 October 2016 5:00 AM, PDT | CriterionCast | See recent CriterionCast news »

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David is joined by Scott Nye to discuss Eclipse Series 13: Kenji Mizoguchi’s Fallen Women. (Trevor was unable to join in this discussion, but will be back for Part 2 of this series.)

About the films:

Over the course of a three-decade, more than eighty film career, master cineaste Kenji Mizoguchi (Ugetsu, Sansho the Bailiff) would return again and again to one abiding theme: the plight of women in Japanese society. In these four lacerating works of social consciousness—two prewar (Osaka Elegy, Sisters of the Gion), two postwar (Women of the Night, Street of Shame)—Mizoguchi introduces an array of compelling female protagonists, crushed or resilient, who are forced by their conditions and culture into compromising positions. »

- David Blakeslee

Permalink | Report a problem


2016 | 2013 | 2012

2 items from 2016


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