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Osaka Elegy (1936)

Naniwa erejî (original title)
A young woman becomes a mistress of her boss in order to support her family.

Director:

Writers:

(dialogue), (story) | 2 more credits »
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Cast

Credited cast:
...
Ayako Murai
Seiichi Takegawa ...
Junzo Murai
Chiyoko Ôkura ...
Sachiko Murai
Shinpachirô Asaka ...
Hiroshi Murai
Benkei Shiganoya ...
Sonosuke Asai
...
Sumiko Asai
Kensaku Hara ...
Susumu Nishimura
Shizuko Takizawa ...
Mine Fukuda, the maid
Eitarô Shindô ...
Yoshizo Fujino
Kunio Tamura ...
Dr. Yoko
Rest of cast listed alphabetically:
Kasuke Koizumi
...
Inspector
Mitsuzo Tachibana ...
Famizaburo Matsushita
Kiyoko Ôkubo
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Storyline

Ayako becomes the mistress of her boss, Mr. Asai, so she can pay her father's debt, and prevent him from going to prison for embezzlement. She also sends money for her brother, Hiroshi, to pay his university tuition, but asks her father not to tell him that it is from her. She tricks Mr. Fujino into giving her money so that she can marry her boyfriend Nishimura, but Fujino calls in the police. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

31 January 1979 (USA)  »

Also Known As:

Naniwa Elegy  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Junzo Murai: You're a woman... Being taken to the police station... Getting thrown into jail... You've done shameful things. You ungrateful child!
Ayako Murai: How could you say that? I never expected that I'd be treated like this when I came home. This is ridiculous! I thought you would welcome me with open arms. If I'd have known this, I never would have come back.
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User Reviews

First real Mizoguchi film in Mizoguchi's career
19 June 2000 | by (Madrid, Spain) – See all my reviews

This is the first collaboration between Mizoguchi and writer Yoshikata Yoda, with the actress Isuzu Yamada in the principal role, as a young telephonist pushed to prostitution to save her ruined family, and then repudiated by them. Mizoguchi begins his impressive mastership with the framing and the perspective and, though still far from his masterpieces, is an interesting milestone for the Mizoguchi admirers.


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