Suspected crime boss Nate Girard beats a murder rap, and newspaper photog Kent Murdock is on the story. Girard and lawyer Redfield throw a party for the news men where Murdock romances a ... See full summary »
Suspected crime boss Nate Girard beats a murder rap, and newspaper photog Kent Murdock is on the story. Girard and lawyer Redfield throw a party for the news men where Murdock romances a mystery woman who confronted Girard in front of him, but Murdock's fiancée Hester shows up. After they return to his apartment, have a fight, and she leaves, the mystery woman slips in and begs for his help. Police Inspector Bacon and the cops show up, looking for the mystery woman; Murdock hides her. Murdock goes with the cops to discuss the murder the woman is suspected of. Bacon explains (in flashback) how some photogs were setting up a shot with Girard and Redfield. When the flashbulbs popped, Redfield keeled over dead and the woman, Meg Archer, fled while the newsmen ran out to phone their papers. The newsmen (who were rounded up later as thoroly as possible) are taken into police custody, except for Murdock (who wasn't at the scene), who is given a cap on the sly by rival McGoogin. Altho ... Written by
D Jensen, Indiana
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
At the newspaper photo shop department, when Meg comes looking for Murdock, she drops a key, presumably from Murdock's apartment. It was for Room 318, but in more than one shot, Murdock's apartment door clearly showed he lived in 315. See more »
Aw, come on. Skin back your ivories. You're as limp as spaghetti. You're the saddest group of courtroom victors I ever trained a lens on.
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This is a B-movie from Paramount. How it has lapsed into the public domain, I have no idea--but regardless it's available for download from the link on its IMDb page.
The film stars a young Lew Ayers as a smart-mouthed newspaper photographer (as bit of a cliché). When a murder occurs, a lady who is the police suspect (Gail Patrick) asks Ayers to hide her. This is one of the oldest and worst clichés of murder mystery films as in real life no one would shelter a murder suspect no questions asked! And, if they were dumb enough to do this, then the murder suspect would most likely kill them for their trouble! But, in B-movie fashion, you know she CAN'T be the killer. The rest of the film, Ayers investigates and proves that the handsome hero is ALWAYS smarter than the stupid cops (yet another familiar cliché)--led by Joe Sawyer as the investigator (a rather familiar role for him). And how does he intend to do this? Yep, one of the oldest plot ideas--with a supposed photo that will prove who the murderer is! As you can tell from my description, the film abounds with clichés--the sort that fans of classic films will quickly recognize. Because of this, the film is not exactly original act. However, the acting and overall polish of the movie are nice--making it at least a tolerable time-passer.
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