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Murder on a Bridle Path (1936)

 -  Comedy | Drama | Mystery  -  17 April 1936 (USA)
6.3
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Ratings: 6.3/10 from 192 users  
Reviews: 9 user

After Hildegarde proves that the accidental riding death on a Central Park bridle path is really murder, she's faced with a plethora of red herrings and a real killer.

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Title: Murder on a Bridle Path (1936)

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Cast

Cast overview, first billed only:
...
Helen Broderick ...
Louise Latimer ...
Barbara Foley
Owen Davis Jr. ...
Edward 'Eddie' Fry
...
Joey Thomas
John Carroll ...
Latigo Wells
Leslie Fenton ...
Don Gregg
Christian Rub ...
Chris Thomas
Sheila Terry ...
Violet Feverel
Willie Best ...
'High-Pockets'
John Miltern ...
Patrick 'Pat' Gregg
Spencer Charters ...
Warden Sylvester Mahoney
James Donlan ...
Detective Kane
Gustav von Seyffertitz ...
Doctor Bloom, Police Dept.
...
Dr. Peters (Gregg's)
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Storyline

When the body of Violet Feverel is discovered on the Central Park bridle path, Inspector Oscar Piper is about to declare her death accidental from a thrown horse, until his friend and amateur detective Hildegarde Withers locates the horse and discovers blood on the horse. The coroner deems it a murder when the cause of death is shown to be by a blunt instrument on the victim's head. The suspects include Violet's ex-husband, Don Gregg, who she jailed for nonpayment of alimony, but who was just released by a forged court order; Latigo Wells, the manager of Violet's stables and who had an argument with her that morning; and Eddie Fry, who had quarreled with Violet over his seeing her sister, Barbara Foley, and who was about to elope with Barbara. At Don's Long Island home, Hildegarde and Oscar meet his sickly father, Patrick, the caretaker, Chris Thomas, and his crippled son, Joey. After Patrick is murdered, Hildegarde snoops around and discovers clues which pinpoint the murderer, who is... Written by Arthur Hausner <genart@volcano.net>

Plot Summary | Add Synopsis

Taglines:

A mystery smothered in suspense! See more »

Genres:

Comedy | Drama | Mystery

Certificate:

Approved
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Details

Country:

Language:

Release Date:

17 April 1936 (USA)  »

Also Known As:

The Puzzle of the Briar Pipe  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Mr. Jones, a key canine member of the cast in "Murder on a Honeymoon," appears briefly here but is not referred to by name. See more »

Quotes

Police Insp. Oscar Piper: [as Hildegarde tries to get into the police car with Oscar] Well, where do you think you're goin'? What are you always following me for?
Hildegarde Withers: I don't know, Oscar. I guess it's because you always bring out the mother in me.
See more »

Connections

Follows Murder on the Blackboard (1934) See more »

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User Reviews

A Drop in Quality
11 May 2011 | by (Louisville, KY) – See all my reviews

Murder on a Bridle Path (1936)

** (out of 4)

The fourth film in RKO's Hildegarde Withers series was the first after Edna May Oliver stepped away from the part and was replaced by Helen Broderick for the first and only time. In the film a society woman is out riding her horse when she's thrown from it and then murdered. Detective Piper (James Gleason) thinks it's a simple case of her being killed by the fall but Withers comes across the scene and notices that the woman was murdered after the fall. The two team up to track down the usual suspects. MURDER ON A BRIDLE PATH isn't as bad as its reputation but at the same time there's no question that it's a major fall from the previous three movies. There's no doubt that Broderick isn't nearly as good as Edna May Oliver but she isn't too bad here. I thought she was decent for what was being asked as she has no problem playing the smart woman and she at least makes us believe she's a lot smarter than Piper for what that's worth. As usual Gleason is very good in his part as the rather slow Detective who is always one step behind the lady. While both actors do a fine job, the same can't be said with their comic timing and chemistry. I think what really hurts the movie is the fact that the two don't share the same spark as in the previous three films. The screenplay isn't the greatest thing either because there's never any clear case of who the killer is and when he's revealed it really seems like a stretch. As is the case in most weaker written mysteries, the police and Withers would have never found out had the killer not given himself away and of course breaking to the point where he tells everything. In the end this film is pretty much on par with the majority of "B" mysteries that were released throughout the decade but at the same time it also makes you appreciate the first three films for how special they were.


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