Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
Longfellow Deeds lives in a small town, leading a small town kind of life - including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city where he becomes an instant target for everyone from the greedy opera committee to the sensationist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl anything can, and does, happen. Written by
Harry Cohn had a dictum in that he would only allow his directors to print any one of their takes, thereby saving the studio a great deal of money. Frank Capra found a loophole in getting round this. At the end of each take, instead of shouting "Cut" he would shout "Do it again", and the actors would launch immediately into an unbroken repetition of the scene. See more »
When Deeds announces he is giving his money to the farmers, one of the headlines of the newspaper reads backwards. See more »
In my opinion, a far superior work compared to that other Capra populist film `Mr. Smith Goes To Washington' (even Jean Arthur seems fresher her in a role that is a virtual remake of the aforementioned film). We like the story because we can identify with parvenus such as Mr. Deeds and this pulls us through all the way to the predictable, yet delightful and satisfying conclusion that takes place in that good ol' American institution, the courtroom. Just what the doctor ordered to battle a case of cynicism.
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