It's the 1930s, the Depression era, and the Board of Directors of Thomas Dickson's bank want Dickson to merge with New York Trust and resign. He refuses. One night, Dickson's bank is robbed... See full summary »
Longfellow Deeds lives in a small town, leading a small town kind of life - including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city where he becomes an instant target for everyone from the greedy opera committee to the sensationist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl anything can, and does, happen. Written by
The tender scene in which Babe (Jean Arthur) recites a poem that Longfellow Deeds (Gary Cooper) wrote for her was almost deleted because Frank Capra thought it was too sappy. Jean Arthur had been working very hard on that scene and convinced Capra to at least film it, which he did. The bit of Deeds tripping over the garbage cans was added to provide comic relief to break the sentimental mood. See more »
When Mr. Deeds is playing the tuba, the acting is out of synchronization with the sound. See more »
Mr. Deeds, there has been a great deal of damaging testimony against you. Your behavior, to say the least, has been most strange. But in the opinion of the court, you are not only sane, but you're the sanest man that ever walked into this courtroom!
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Winthrop Oliver Warner (a studio musician) actually played the tuba for the film. See more »