A comedy about marriage and everything relating to it. New York novelist Henry Fonda meets up with an actress, Margaret Sullavan, and the two date and later marry, though neither knows of ...
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A comedy about marriage and everything relating to it. New York novelist Henry Fonda meets up with an actress, Margaret Sullavan, and the two date and later marry, though neither knows of the other's fame. The real adventure begins on the honeymoon, when this screwball comedy really heats up with insults and arguments.
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
The Moon's Our Home is a fast moving, machine-gun fire paced romantic comedy from 1936. It is the story of the romance of Cherry Chester, a movie star, and Anthony Amberton, a travel writer. Ms. Chester, travelling under her birth name, Sarah Brown, can't stand the writings of Anthony Amberton. Amberton, using pseudonym John Smith, detests "marshmallow-faced" movie stars, most of all Cherry Chester. For better or for worse, however, Cherry and Anthony don't know the real names when they meet, and subsequently are able to fall in love.
The novelty of this film is that the two stars, Margaret Sullavan and Henry Fonda, were married and divorced by the time the production started. The fights (verbal and phsyical) seem wonderfully real and the love and chemistry seem genuine also. There is a bitter-sweet feeling with this bit of trivia, especially when the couple separates (a few times).
The cast, in addition to the leads, are wonderful. Especially Oscar-winner Walter Brennan, as the justice of the peace. In one of the best and funniest marriages ever to take place on the screen, Brennan recites the ceremony and Amberton and Chester have a fight. It just so happens, however, that each time the j.p. asks "do you take..." they just happen to say in their own conversation "I do." It's irresistable.
Although it rarely turns up, get your hands on this film by all means. Besides being a lot of fun, it is also the screwball comedy that has the most innuendo that seemed to sneak by the censors. Fonda's character "has conquered the highest peaks known to travellers." And a personal favorite, the fact that Cherry won't "mind the bumps" on a truck ride... Modern audiences may not get it, but to the keen ear, this film is a delight as well as to the eyes...
The Moon's Our Home is a classic example of Hollywood movie-making of a bygone era.
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