Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home in Kansas and help her friends as well.
Chaplins last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital... When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out. Written by
Colin Tinto <email@example.com>
Supposedly was to be Charles Chaplin's first full sound film, but instead, sound is used in a unique way: we hear spoken voices only when they come from mechanical devices, a symbol of the film's theme of technology and dehumanization. Specifically, voices are heard from:
The Tramp gets his mouth stuffed of the hex nuts unscrewed from The Bellows Feeding Machine. By the next shot, when the mouth wiper is malfunctioning and hitting the Tramp in the face - the hex nuts are no longer shown stuffed in the Tramp's mouth. See more »
Chaplin's "Modern Times" has influenced the 20th century as much as any other film could have. His portrayal of man vs. machine, individual vs. group, love vs. industry...is the framework of classic modern American "anti-progressive" thinking. Gilliam's "Brazil" is the late century equivalent. But Chaplin hit it right first, insuring generations would have the chance to relate to the challenges of their own modern times.
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