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Modern Times (1936)

G  |   |  Comedy, Drama  |  25 February 1936 (USA)
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Ratings: 8.6/10 from 128,449 users   Metascore: 96/100
Reviews: 201 user | 115 critic | 4 from Metacritic.com

The Tramp struggles to live in modern industrial society with the help of a young homeless woman.


(as Charlie Chaplin)


(as Charlie Chaplin)
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Cast overview, first billed only:
A Factory Worker (as Charlie Chaplin)
Henry Bergman ...
Tiny Sandford ...
Big Bill (as Stanley Sandford)
Hank Mann ...
Stanley Blystone ...
Al Ernest Garcia ...
Richard Alexander ...
Prison Cellmate (as Dick Alexander)
Cecil Reynolds ...
Mira McKinney ...
Minister's Wife (as Myra McKinney)
Murdock MacQuarrie ...
J. Widdecombe Billows (as Murdoch McQuarrie)
Wilfred Lucas ...
Edward LeSaint ...
Sheriff Couler (as Ed Le Sainte)
Fred Malatesta ...


Chaplins last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital... When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Add Synopsis


You'll never laugh as long and as loud again as long as you live! The laughs come so fast and so furious you'll wish it would end before you collapse! See more »


Comedy | Drama


G | See all certifications »

Parents Guide:





Release Date:

25 February 1936 (USA)  »

Also Known As:

The Masses  »

Filming Locations:


Box Office


$1,500,000 (estimated)

Opening Weekend:

$11,507 (USA) (9 January 2004)


$163,245 (USA) (22 October 2004)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Noiseless Recording Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


The film shares many themes with René Clair's À Nous la Liberté (1931). That film's production company Tobis Film sued Charles Chaplin upon the release of Modern Times (1936) to no avail. They tried again after World War II, this time settling with Chaplin out of court. Clair - who was a great admirer of Chaplin - was thoroughly embarrassed by Tobis Film's course of actions. See more »


When Charlie is in the Feeding Machine, a wire can be seen from the left, moving the rotating corn device. See more »


President of the Electro Steel Corp.: [from the Telescreen in the restroom to the factory worker] Hey you! Get back to work!
See more »


Referenced in Aspects of Love (1993) See more »


Je cherche après Titine
(1917) (uncredited)
Music by Léo Daniderff
Publishers: Bertal-Mouda & Ronn
Performed by Charles Chaplin
See more »

Frequently Asked Questions

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User Reviews

Hilarious work of genius
27 August 2001 | by (London, England) – See all my reviews

Hilarious, touching, anarchic, revolutionary, realist, surreal, of its time, timeless - Modern Times is a multifaceted work of genius. When it's over and you recall the number of sight gags and magic sequences Chaplin has packed into 85 minutes, it is incredible - the conveyer belt and nut turning; Chaplin caught in the cogwheels; the feeding machine; the Red Flag march; the "nose powder"; the roller skating ballet; the waiter with tray caught up in the dance (my favourite); the gibberish song - and many more. Then there is his mixing of silent and sound techniques, making the best of both worlds, not falling between stools as some directors might have done.

Of course, there is also a political and social dimension; many of the scenes refer to the impact of technical advances, of bureaucracy, and of the then current depression, on the ordinary "little man". And it is the little man, the individual caught up in society's complex machinery, whom Chaplin championed. He may have sympathised with left-wing political parties and unions in so far as they supported ordinary working people, but Chaplin's essential beliefs are enshrined in the final "words" and shot, with him telling Paulette Godard, that she should keep smiling, they will get along, as they walk, a couple of individuals, into an uncertain future. Beyond politics, the individual has to rely on his or her own resources and spirit to survive.

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