Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home in Kansas and help her friends as well.
Chaplins last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital... When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out. Written by
Colin Tinto <firstname.lastname@example.org>
In addition to Charles Chaplin's own composition and his uncredited use of the melody of the French ditty "Titine," the score includes snippets of the popular songs "Hallelujah, I'm a Bum," "Prisoner's Song," "How Dry I Am," and "In the Evening by the Moonlight." See more »
(at around 19 mins) The wire holding the flag on the back of the truck is clearly visible. See more »
Chaplin's "Modern Times" has influenced the 20th century as much as any other film could have. His portrayal of man vs. machine, individual vs. group, love vs. industry...is the framework of classic modern American "anti-progressive" thinking. Gilliam's "Brazil" is the late century equivalent. But Chaplin hit it right first, insuring generations would have the chance to relate to the challenges of their own modern times.
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