Chaplins last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital... When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out. Written by
Colin Tinto <email@example.com>
The film shares many themes with René Clair's À Nous la Liberté (1931). That film's production company Tobis Film sued Charles Chaplin upon the release of Modern Times (1936) to no avail. They tried again after World War II, this time settling with Chaplin out of court. Clair - who was a great admirer of Chaplin - was thoroughly embarrassed by Tobis Film's course of actions. See more »
The juvenile authorities have a photograph of the Gamin included in their warrant, even though they never had the opportunity to take her picture, and there's no evidence of photographs in the humble home of the Gamin's family. See more »
One of the funniest movies (silent or talkie) ever!
This movie is a must see for anyone who loves comedies. Charlie Chaplin is at his all-time best as the Tramp, and he has wonderful chemistry with Paulette Goddard's Gamin. Together, they provide an hour and a half of non-stop laughs. My favorite parts are when he is fed by a "modern" machine that goes awry, and then when Charlie goes crazy in the factory. The situations and expressions are hilarious! Please see this movie soon...you definitely will not regret it.
45 of 77 people found this review helpful.
Was this review helpful to you?