Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter's manager decides to build up the milkman's reputation in a series of fixed fights and ...
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Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »
Ambitious shoe salesman, Harold, unknowingly meets the boss' daughter and tells her he is a leather tycoon. The rest of the film he spends hiding his true circumstances, in the store and ... See full summary »
Country Doctor, Jack Jackson is called in to treat the Sick-Little-Well-Girl, who has been making Dr. Saulsbourg and is sanitarium very rich, after years of unsuccessful treatment. His ... See full summary »
Fred C. Newmeyer,
John T. Prince
Our hero (Lloyd) is infatuated with a girl in the next office. In order to drum up business for her boss, an osteopath, he gets an actor friend to pretend injuries that the doctor "cures", ... See full summary »
Episodic look at married life and in-law problems. Adventures include a ride on a crowded trolley with a live turkey; a wild spin in a new auto with the in-laws in tow; and a sequence in ... See full summary »
Fred C. Newmeyer,
While at an amusement park, two men try to win the heart of a young lady. They compete with each other while attempting to find her runaway dog, and they race to ask her mother's permission to take her up in a hot air balloon.
Egyptologist, Dean Lambert (Lloyd), accused of car-theft, skips bail and begins a cross-country trek to join a group in New York headed for Egypt. With the police close on his trail he gets... See full summary »
Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter's manager decides to build up the milkman's reputation in a series of fixed fights and then have the champ beat him to regain his title. Written by
Herman Seifer <firstname.lastname@example.org>
When producer Samuel Goldwyn bought the rights to the property in the mid-'40s for his remake, The Kid from Brooklyn (1946) (with Danny Kaye in the lead role), he also bought the original negative and almost all existing prints, and destroyed them. After that time the copyright was not renewed, and the title apparently fell into public domain, and, as a result, numerous VHS and DVD dealers, not having access to original material, included it in their inventories, offering vastly inferior copies. Harold Lloyd, however, had preserved his own original nitrate release print, which became the source for the new digital video transfer used by TCM and subsequent DVD releases. See more »
As Ann Westley says, "This program is coming to you through the courtesy of Amalgamated Gas,", the word "amalgamated" does not match her lip movements and is clearly spoken by different voice. (approx. 24:55 into the film, NTSC) See more »
After the paramount logo is seen, a cow's head is superimposed on the logo. The cow then moos in what appears to be a parody of the MGM Lion's roar. The image of the cow transitions to a photo book with images of cows in the background and the credits are printed on top. A hand pages through the book. See more »
Overall, this is entertaining even if it is very dated in a Harold Lloyd-kind of way, meaning a typical role for him where he's the wimpy-but -brave hero. In this story, Harold is "Burleigh Sullivan," the shy milkman who winds up - even though no clue about boxing - as a professional fighting for the middleweight championship of the world! Ridiculous? Yes, but that was Lloyd and his films: slapstick lunacy like Keaton, Chaplin, the Marx Brothers, etc.
Along the way to his fame and glory in the ring, Harold picks up a serious girlfriend (the very wholesome and attractive Dorothy Wilson as "Polly Pringle") and so a little romance is part of the story.
Lloyd provides a lot of laughs but he isn't the only one. Helen Mack has a lot of wisecracking lines as Burleigh's younger sister, "Mae." Also, con-man/fight manager "Honest Gabby Sloan" (Adolph Menjou) gets in his share of funny and serious lines. The three of them, plus some other mentally-deficient boxers, all contribute humor.
In all, it's a sweet-tempered film with a lot of charm. True, some of the humor is too dated and stupid but the "hits" far outnumber the "misses" in the comedy department.
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