Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter's manager decides to build up the milkman's reputation in a series of fixed fights and ... See full summary »
A priest (William Holden) arrives at a mission-post in China accompanied by a young native girl who has joined him along the way. His job is to relieve the existing priest (Clifton Webb), ... See full summary »
Our hero (Lloyd) is infatuated with a girl in the next office. In order to drum up business for her boss, an osteopath, he gets an actor friend to pretend injuries that the doctor "cures", ... See full summary »
While at an amusement park, two men try to win the heart of a young lady. They compete with each other while attempting to find her runaway dog, and they race to ask her mother's permission to take her up in a hot air balloon.
Eddie and his Mexican friend Ricardo are expelled from college after Ricardo put Eddie in the girl's dormitory when he was drunk. Per chance Eddie gets mixed up in a bank robbery and is ... See full summary »
Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter's manager decides to build up the milkman's reputation in a series of fixed fights and then have the champ beat him to regain his title. Written by
Herman Seifer <email@example.com>
As Ann Westley says, "This program is coming to you through the courtesy of Amalgamated Gas,", the word "amalgamated" does not match her lip movements and is clearly spoken by different voice. (approx. 24:55 into the film, NTSC) See more »
After the paramount logo is seen, a cow's head is superimposed on the logo. The cow then moos in what appears to be a parody of the MGM Lion's roar. See more »
I taped this movie when it was shown on TCM recently and I've rewatched it several times since, enjoying it more with each viewing. It's a hilarious and energetic movie, and the editing, framing, and compositions of characters are always fresh, funny, and cliché-free. I especially like how the film echoes Burleigh's "ducking" abilities by cleverly using "ducking" techniques, or ellipses, in various ways: in telling the story, by leaving out certain scenes and revealing them later; and even in framing (in one scene Adolph Menjou plays a scene hidden behind a tree branch, "ducking out" of the frame). This film is as good as The Awful Truth and to me has the same strange beauty of that wonderful film.
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