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Mary of Scotland (1936)

6.5
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The recently widowed Mary Stuart returns to Scotland to reclaim her throne but is opposed by her half-brother and her own Scottish lords.

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, (uncredited)

Writers:

(screen play), (from the play by), 1 more credit »
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Title: Mary of Scotland (1936)

Mary of Scotland (1936) on IMDb 6.5/10

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Cast

Cast overview, first billed only:
...
...
Florence Eldridge ...
Douglas Walton ...
...
Robert Barrat ...
Gavin Muir ...
Ian Keith ...
Moroni Olsen ...
William Stack ...
Ralph Forbes ...
Randolph
...
Frieda Inescort ...
Mary Beaton
...
David Torrence ...
Lindsay
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Storyline

Mary Stuart returns to Scotland to rule as queen, to the chagrin of Elizabeth I of England who finds her a dangerous rival. There is much ado over whom Mary shall marry; to her later regret, she picks effete Lord Darnley over the strong but unpopular Earl of Bothwell. A palace coup leads to civil war and house arrest for Mary; she escapes and flees to England, where a worse fate awaits her. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

One of the greatest love stories of all time... brought to the screen in throbbing glory by a wonderful cast of stars! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 August 1936 (USA)  »

Also Known As:

Mary, Queen of Scotland  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System) (as R C A Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Katharine Hepburn wanted George Cukor as director, but after the failure of Sylvia Scarlett (1935), producer Pandro S. Berman refused to let them work together again. See more »

Goofs

A screen caption introduces a setting as "Holyrood Castle". Properly this building, now the monarch's official residence in Scotland, is known as the Palace of Holyroodhouse sometimes shortened to Holyroodhouse or Holyrood, but never as Holyrood Castle. See more »

Quotes

Bothwell: [to Mary] You're the Queen of Scotland, and you've let the woman in you take your senses!
See more »

Crazy Credits

Opening credits: "Like two fateful stars, Mary Stuart and Elizabeth Tudor appeared in the sixteenth century, to reign over two great nations in the making ... They were doomed to a life-and-death struggle for supremacy, a lurid struggle that still shines across the pages of history ... But today, after more than three centuries, they sleep side by side, at peace, in Westminster Abbey." See more »

Connections

Referenced in AFI Life Achievement Award: A Tribute to John Ford (1973) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Mary meets Elizabeth!
13 November 2002 | by See all my reviews

The directors cannot refrain from showing the two queens together in one scene.Charles Jarrot -whose movie is inferior to John Ford's- did the same in 1972.And however,they never met ,not a single time during Mary's captivity.But John Ford's scene is useful for people who know little about the Virgin Queen.It's sure that Mary's childhood in France was a nice one even though her reign was short as king François II's wife.On the other hand,Elizabeth lived in fear when she was a child for her bloody sister wanted to get rid of her.

The first past begins in Scotland ,and France is only evoked in Mary's memories.This first part is the most satisfying historically speaking:Darnley's and Ricci's murders are well directed by Ford,and the town criers who ,every ten minutes announce "It's eight'o clock!All is fine!" shows his sense of humor.Biggest flaw is the little part of James Stuart, aka"the bastard" aka Maurey:This man is really the stringman,who plays a prominent part in the queen's downfall,holding Mary like a puppet on a string,travelling to France when rebellion begins -he was not here when Mary was imprisoned in Lochleven-,just coming back to reap the benefits (regency he had lost when his sister came back).

Frederic March is a fine actor,but his Bothwell is not credible.Bothwell was a hairy brute ,not the romantic chivalrous fair knight we see here.Mary's abduction remains a mysterious part because the historians have no documents of what really happened.Mary's captivity in Lochleven-where she at last understood how James Stuart fooled her -and her extraordinary escape -worthy of Hitchcock's suspense-lasts barely 30 seconds on the screen.

Ditto for Mary's captivity in England.When she arrived,she was in what we would call "under house arrest" today.Only during her last year,when they discovered a plot,she was taken to the fortress of Fotheringay (a wonderful Fairport Convention song by the way),she was really a prisoner in the modern sense of the term.And she had a whole floor for herself though.

The trial is unsatisfying.At the time,Mary did not care for Bothwell anymore,she was longing to become a martyr of the Catholic cause.She did not know that the pope did not take her seriously .The scene with Donald is pure romantic fiction.

All in all ,and even if the things fall apart a bit in the second part,the movie is magnificently enhanced by Hepburn's presence and Ford -they said they had a love affair on the set- lovingly films her.I've been told that the scene between Bothwell and the queen on the tower was filmed by KH herself.


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