IMDb > The Man Who Lived Again (1936)

The Man Who Lived Again (1936) More at IMDbPro »The Man Who Changed His Mind (original title)


Overview

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Director:
Writers:
L. du Garde Peach (screenplay) &
Sidney Gilliat (screenplay) ...
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View company contact information for The Man Who Lived Again on IMDbPro.
Release Date:
1 November 1936 (USA) See more »
Genre:
Plot:
Dr. Laurience, a brilliant but unstable scientist experimenting with transferring minds, becomes vengeful when his magnate patron withdraws his support. Full summary » | Add synopsis »
User Reviews:
THE MAN WHO CHANGED HIS MIND (Robert Stevenson, 1936) *** See more (25 total) »

Cast

  (in credits order)

Boris Karloff ... Dr. Laurience
John Loder ... Dick Haslewood

Anna Lee ... Dr. Clare Wyatt
Frank Cellier ... Lord Haslewood
Donald Calthrop ... Clayton
Cecil Parker ... Dr. Gratton
Lyn Harding ... Prof. Holloway
rest of cast listed alphabetically:
Clive Morton ... Journalist (uncredited)
Bryan Powley ... Unspecified role (uncredited)
D.J. Williams ... Landlord (uncredited)
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Directed by
Robert Stevenson 
 
Writing credits
L. du Garde Peach (screenplay) (as L. Du Garde Peach) &
Sidney Gilliat (screenplay) &
John L. Balderston (screenplay)

Produced by
Michael Balcon .... producer (uncredited)
 
Original Music by
Hubert Bath (uncredited)
 
Cinematography by
Jack E. Cox  (as Jack Cox)
 
Film Editing by
R.E. Dearing 
Alfred Roome 
Ben Hipkins (uncredited)
 
Art Direction by
Alex Vetchinsky  (as Vetchinsky)
 
Costume Design by
Molyneux (dresses)
 
Makeup Department
Roy Ashton .... makeup artist (uncredited)
 
Sound Department
Bill Salter .... sound recordist (as W. Salter)
Charles Poulton .... sound recordist (uncredited)
 
Costume and Wardrobe Department
Molyneux .... dresses
 
Music Department
Louis Levy .... musical director
Louis Levy .... composer: additional music (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
"The Man Who Changed His Mind" - UK (original title)
"Doctor Maniac Who Lived Again" - USA (reissue title)
See more »
Runtime:
66 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (British Acoustic)
Certification:

Did You Know?

Trivia:
Boris Karloff's second feature in Britain, filmed March 3-mid April 1936, followed quickly by "Juggernaut."See more »
Quotes:
Clayton:It's the first time you've taken any interest in food since you've been here.
Dr. Laurience:It's the first time there's been any!
See more »

FAQ

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3 out of 4 people found the following review useful.
THE MAN WHO CHANGED HIS MIND (Robert Stevenson, 1936) ***, 9 September 2006
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

Star Boris Karloff's second British horror film, following THE GHOUL (1933), proves a more satisfying vehicle and quite an underrated (if minor) classic; apart from director Stevenson (later to helm some of the Walt Disney studio's most popular live-action films), its imposing credentials include producer Michael Balcon (one of the most influential in British cinema) and co-screenwriters John L. Balderston (a genre fixture who had worked on some of Hollywood's finest entries) and Sidney Gilliat (later a Hitchcock collaborator and an important film-maker in his own right, often teamed with Frank Launder)!

Production-wise, it's a modest effort – mostly confined to studio interiors – but one which, in its brief running-time, exhibits both style and substance in a gripping (if familiar) plot line that manages to encompass drama, comedy, romance, chills and suspense! Incidentally, the transference of souls from one body to another was also the theme of THE BROTHERHOOD OF Satan (1971) – which I just happened to watch the previous day – where it's given an occult slant, as opposed to the sci-fi approach of the Karloff film!!

In fact, the star's 'mad scientist' character here (named Laurience but pronounced Lorenz!) was the second in a string of similar roles he played from 1936-1942; I've only watched the first two and the last one but I have two more coming up tomorrow and the day after, while the rest will be released as part of Columbia's Karloff set next month! Anyway, he's excellent as always – driven, menacing or poignant as the situation demands – but he's ably supported by a wonderful British cast: Anna Lee (the director's own wife and with whom Karloff would reteam, memorably, in Hollywood in the Val Lewton-produced BEDLAM [1946]), John Loder, Frank Cellier, Cecil Parker and especially Donald Calthrop; the latter almost manages to steal the show with his crippled and cynical doctor's assistant, whose brain is then put into Cellier's body: the scenes where he tries to act up his new persona provide some delightful – and unexpected – moments of black comedy!

As usual, Karloff's love for the leading lady is unrequited (though she sure admires his genius!) and he concocts an elaborate plan to win her affections which, needless to say, is thwarted in the final reel. In fact, the film's climax (in which Karloff and Loder, having switched brains, attempt an impersonation of one another and then the process has to be reversed in order to save the hero's life, Karloff having thrown himself – in Loder's body – from a window to escape police capture!) is somewhat far-fetched but nonetheless exciting. The DVD transfer is acceptable for such a rare item, with the only negative note being some persistent hiss on the soundtrack.

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