A French farce set in Victorian London where a botanist and his wife get into trouble when they pretend to go missing in order to hide from their sanctimonious cousin -- an Anglican bishop who is leading a campaign against such writing.
During World War I, German intelligence use a team of saboteurs and a woman spy, known as Fraulein Doktor, to help assassinate Lord Kitchener and to steal Allied defense plans and to swipe the new mustard gas formula from its French female inventor.
A group of German infantrymen of the First World War live out their lives in the trenches of France. They find brief entertainment and relief in a village behind the lines, but primarily ... See full summary »
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drown. That same day,... See full summary »
In the suburbs of Paris, an old maid has just been murdered. Every body talks about that, except the misanthrope Mr Hire. The same evening, Alice, just getting out of jail, arrives and ... See full summary »
The French version of G.W.Pabst's monumental three-language (English, French and German - separate versions each) filming of Cervantes' classic novel. The German version seems to be lost, ... See full summary »
Georg Wilhelm Pabst
Feodor Chaliapin Sr.,
In some ways this anticipates Welles' Mr. Arkadin inasmuch as it is an uneven film crammed with brilliant performers, directed by an acknowledged master with a plot verging on the bizarre. Welles, of course didn't need much help with screenplays - if we exclude Citizen Kane - yet Pabst had three on the payroll two of whom, the exotic named Irma von Cube and Jacques Natanson, had some tasty credits; von Cube had worked on both Mayerling and Johnny Belinda whilst Natanson worked on Max Ophuls final films, La Ronde, Le Plaisir and Lola Montes yet none of these was remotely like Salonika - Nest Of Spies which moves from Paris to Berne to Salonika in the first two reels setting up encounters between top-billed Dita Parlo and the likes of Louis Jouvet, Viviane Romance, Pierre Fresnay, Jean-Pierre Barrault, Gaston Modot, Pierre Blancheur and Charles Dullin among others. Some are little more than cameos, as in the case of Barrault, a lunatic who manages to intrigue via a schtick with a melon; Louis Jouvet seems to be anticipating Akim Tamiroff in For Whom The Bell Tolls - on the other hand Pepe Le Moko was released about the same time so maybe someone figured Jouvet would make a passable Arab/gypsy fortune teller. For good measure Viviane Romance throws in an emotive song and a good, if slightly puzzling time is had by all. This is a film of moments rather than a whole but definitely worth seeing.
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