Though he fought for the North in the Civil War, John is asked by the Governor of Texas to get rid of some troublesome carpetbaggers. He enlists the help of Holden before learning that ... See full summary »
In 1871, professional gambler John Devlin elopes with Sandra "Sandy" Poli, daughter of Marko Poli, an immigrant who has risen to railroad tycoon. Sandy, knowing that the railroad is to be ... See full summary »
Sent to find counterfeiters, John Wyatt joins Doc Carter's medicine show. They arrive in the town where Curly Joe runs his counterfeiting operation. Carter was once framed by Curly Joe and ... See full summary »
Following Napoleon's Waterloo defeat and the exile of his officers and their families from France, the U.S.Congress, in 1817, granted four townships in the Alabama territory to the exiles. ... See full summary »
Bijou, a saloon singer with a reputation for inciting brouhahas, is one of several deportees from a south Pacific island to arrive at another U.S. protectorate, Boni Komba. She becomes very... See full summary »
Sheriff John Higgins quits and goes into prospecting after he thinks he has killed his best friend in shooting it out with robbers. He encounters his dead buddy's sister and helps her run ... See full summary »
Charles 'Pittsburgh' Markham rides roughshod over his friends, his lovers, and his ideals in his trek toward financial success in the Pittsburgh steel industry, only to find himself ... See full summary »
Though he fought for the North in the Civil War, John is asked by the Governor of Texas to get rid of some troublesome carpetbaggers. He enlists the help of Holden before learning that Holden too is plundering the local folk. Written by
Ed Stephan <email@example.com>
Gwine to Rune All Night
("De Camptown Races") (1850) (uncredited
Music and Lyrics by Stephen Foster
Played on harmonica and banjo by unidentified black men
Sung by an unidentified black man
Used often to warn about approaching troopers See more »
Although I am a John Wayne fan, this film was painful to watch. Which begs the question, did John Ford bring something to John Wayne's career that he didn't possess before they worked together? I would say that they both needed each other. The John Ford films without John Wayne weren't that good, and the westerns that John Wayne appeared in like this one (which were not directed by John Ford) were just as bad. So what exactly did John Wayne lack in this film? I think the non-John Ford directed John Wayne westerns lacked a story, emotional depth, colour, scenery and a bit of spectacle. Before the John Ford/Wayne collaboration, westerns were just some B picture, but what John Ford did was to give it spectacle like the Cecil B. DeMille films.
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