Though he fought for the North in the Civil War, John is asked by the Governor of Texas to get rid of some troublesome carpetbaggers. He enlists the help of Holden before learning that ... See full summary »
The Three Mesquiteers convince a group of settlers to exchange their present property for some which, unbeknownst to our good guys, is going to be worthless. They are captured before they can warn the ranchers.
The Mesquiteers capture a horse thief who escapes justice through a crooked judge. They gather signatures urging the governor to investigate but a friend with the petition is murdered. Stony is accused.
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. ... See full summary »
Texas cattle baron Stiles killed John Clayborn's parents ten years earlier. Now a lawyer, Clayborn tries legally to break up Stiles' water monopoly and rustling operation. When that fails he must use force.
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
As a youngster John Wyatt saw his parents killed and his brother kidnapped. On a wagon train heading West he meets his brother who is now a spy for the gang which originally did the dirty work. He and his brother both fall for Mary Gordon.
Robert N. Bradbury
Frank McGlynn Jr.
Though he fought for the North in the Civil War, John is asked by the Governor of Texas to get rid of some troublesome carpetbaggers. He enlists the help of Holden before learning that Holden too is plundering the local folk. Written by
Ed Stephan <firstname.lastname@example.org>
Gwine to Rune All Night
("De Camptown Races") (1850) (uncredited
Music and Lyrics by Stephen Foster
Played on harmonica and banjo by unidentified black men
Sung by an unidentified black man
Used often to warn about approaching troopers See more »
Although I am a John Wayne fan, this film was painful to watch. Which begs the question, did John Ford bring something to John Wayne's career that he didn't possess before they worked together? I would say that they both needed each other. The John Ford films without John Wayne weren't that good, and the westerns that John Wayne appeared in like this one (which were not directed by John Ford) were just as bad. So what exactly did John Wayne lack in this film? I think the non-John Ford directed John Wayne westerns lacked a story, emotional depth, colour, scenery and a bit of spectacle. Before the John Ford/Wayne collaboration, westerns were just some B picture, but what John Ford did was to give it spectacle like the Cecil B. DeMille films.
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