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Storyline
Novice attorneys Mary and 'Dot' open their own practice, confident that their futures looks bright. But after months of rising debt and falling income, Mary stumbles into the employ of racketeer Frank Gordon. Financial worries behind them, Mary and 'Dot' start representing the dregs of Morgan's society. But will Mary's conscience--not to mention the intervention of her D.A. boyfriend--allow her to continue? Written by
Chris Stone <jstone@bellatlantic.net>
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Certificate:
Approved
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Did You Know?
Soundtracks
"I'd Rather Listen to Your Eyes"
(uncredited)
Music by
Harry Warren
Played during the opening photo credits
Also played when Bob proposes to Mary
Also played when Frank Gordon and Bob are at Mary's apartment, and at the end
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A talented set of actors, including Glenda Farrell in her hard-boiled, tough-talking mode, work hard in this Warner's B about a pair of young woman lawyers starting out, fighting for work and -- in Margaret Lindsay's case -- the amatory advances of Warren Hull comes off as pretty much of a programmer. Sidney Hickox' camera work is up to Warner Brothers fast-moving, underlit standard, but none of the actors, with the exception of the always engaging Miss Farrell, and Al Shean in a small role at the beginning of the movie as a restaurateur resisting some mobsters in the protection racket, manage any real oomph in their roles -- even Linsday and Talbot seem a bit stagy. Debit perennial B director Clemens for the failure.
THE LAW IN HER HANDS has the makings of a decent Warners B and the courtroom vignettes are amusing, but it's been done too many times and by people more interested in the work.