Texas cattle baron Stiles killed John Clayborn's parents ten years earlier. Now a lawyer, Clayborn tries legally to break up Stiles' water monopoly and rustling operation. When that fails he must use force.
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In 1871, professional gambler John Devlin elopes with Sandra "Sandy" Poli, daughter of Marko Poli, an immigrant who has risen to railroad tycoon. Sandy, knowing that the railroad is to be ... See full summary »
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Profiteer Alexander Stiles lays claim to a million acres of range in the Pecos River country, but a rancher named Claybor stands in his way as he has already claimed the water-rich location of Sweetwater as his own, and refuses Stiles' $1000 offer for his land. Led by the murderous Ash, the hired guns of Stiles kill Clayborn and his wife but their young son John survives and joins his grandfather in Austin. As the boy grows into a man he learns the use of a law book as well as a six gun, intending to use both to bring Stiles to justice. As lawyer John Clay, he travels to the Cottonwood headquarters of Stiles, self-proclaimed King of the Pecos, and meets Hank Matthews and Josh Billings, two cattlemen thrown into poverty through the crooked dealings of Stiles. John serves a summons for Stiles to appear in court but the circuit judge is too frightened to face the might of Stiles. John sends Hank to round up other impoverished cattlemen, and they provide the judge with an armed escort to ... Written by
Les Adams <firstname.lastname@example.org>
(opening titles) In the seventies, Texas and New Mexico constituted a vast, open cattle range. Land laws and water rights were indefinite and millions of acres of range were often claimed thru a so-called "right of discovery." See more »
1st watched 12/30/2001 - 4 out of 10(Dir-Joseph Kane): Uninspired early John Wayne western portraying him at his early acting stages where he seems to just be doing the lines without putting any feeling into them. This story could have brought out much emotion(Wayne's character's father being murdered and him returning as a lawyer to do in the killer) but it's pretty much kept at bay so that we're presented with a flat and typical gun-shooting contest. Wayne is a handsome young stud here but not much else and the screenplay comes across like it was written on the way over to the set without much patchwork done to it. I'm sure Wayne's tall good looks and smile kept his contract going until he was able to actually do some real acting later in his career so for this I'm grateful(I guess).
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