In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
Visionary scientist Janos Rukh convinces a group of scientists and supporters to mount an expedition to the African continent to locate and study an ancient meteorite of great significance. He exposes himself to the highly toxic radiation of the meteorite, and while an antidote devised by Dr. Benet saves him from death by radiation poisoning, his naked touch causes instant death to others. Back in London, the benefits of the meteorite's controlled radiation offer Dr. Benet an opportunity to restore eyesight to the blind. The antidote's toxicity excites Prof. Rukh into paranoid rages as he seeks revenge against the members of his expedition, who he accuses of stealing his discovery for their own glory. Written by
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The church in which Frank Lawton and Frances Drake get married, though called the "Church of the Six Saints" in the film, is actually the set of Notre-Dame Cathedral recycled from the 1923 Universal production "The Hunchback of Notre-Dame," starring Lon Chaney, Sr. See more »
The film shows a clipping from a news magazine announcing that the principal characters have gone on an expedition to Nigeria to find the meteor containing Radium X. Yet in the earlier sequence showing the meteor landing on earth, it hit on the southwest coast of Africa over 1,000 miles away from Nigeria. See more »
At the end: "A Universal Cast is Worth Repeating." This credit appeared on many Universal films of that era, not just "The Invisible Ray". It did not, however, appear on the cast list for the 1936 "Show Boat", which Universal also made. See more »
Karloff and Lugosi - Together again! This is one of those films that casual fans will pass over and tend not to appreciate as much. It's not an all-out horror film like the duo's previous two hits, The Black Cat and The Raven. But, it is very worthy of both's talents and is a fun film when re-visited.
The Invisible Ray was directed by Lambert Hillyer, a director who mainly made westerns, but curiously in these final days of the Laemmles' reign at Universal, he found himself helming this and the Laemmles' final horror film, Dracula's Daughter. Both are crisp, clean-cut fantasies that are very light on horror content despite the fantastic elements.
Just as Lugosi went wild in The Raven, much needs to be said of Karloff's hamming in The Invisible Ray. The one aspect of the story that is particularly unsatisfying is that Karloff's character, Rukh, acts so madly before he is poisoned by Radium X, that there really isn't much of a change once he starts glowing. This is very similar to the complaint people have about Jack Nicholson in The Shining - He's basically a loony right from the start. There isn't any real transformation. Same here. Halfway through Karloff simply has an added purpose for revenge in his mind. I still enjoyed his performance, though, just as I did Lugosi's over-the-top antics in The Raven.
Meanwhile, Lugosi completely surprises you and gives a restrained, and thoughtful turn as Rukh's rival in science, Dr. Benet. Lugosi also has some of the best lines in the film, including a memorable warning to the police trying to catch Rukh, of which I am in alignment with horror film writer John Soister on - "And if he (Rukh) touches anyone?" the inspector inquires. Lugosi hesitatingly replies, in a way that only Lugosi could deliver, "They die". Just as Lugosi could be so off, he could also be more perfect than any actor. This is one of those moments.
Therefore, Karloff and Lugosi's interactions are all very good as we get the mad antics of Karloff pared off against the cool logic of Lugosi. Karloff would go on to play similar mad scientists many times, however, one wishes Lugosi would have gotten to play more straight roles like this one. He only had one more chance (Ninotchka).
The Invisible Ray is a fun film, and a real treat to the true Karloff and Lugosi fans. It is one of those films that improves on each viewing, not because it is a masterpiece, but because of the charisma and talent of its' stars and how this story complements the darker, more horrific pairings they had. The special effects, by the always innovative John Fulton, are terrific and the supporting actors are all adequate. Frances Drake looks as beautiful as she did in Mad Love and plays a strong woman, something seldom seen in classic horror films. The scene in the end when Karloff stalks her and she doesn't scream is one of the most haunting moments of the film. A terrific, fun film!
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