Benchley, a newspaper columnist who writes on issues of etiquette, receives a telephone call from two men working deep in a manhole, they who are arguing about what to do if a woman fell ...
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In 1921, Irish rebels launch an uprising with the aim of creating an Irish republic, independent of the United Kingdom of Great Britain and Ireland. One of the rebellion's leaders and a ... See full summary »
A look at the problems of film preservation efforts in the 1930s and 1940s. Focuses on MOMA's efforts which commenced on August 8, 1935. It illustrates the problems with celluloid stock. It... See full summary »
William Jennings Bryan,
A barber shop owner wins a sweepstake. He remodels his shop and hires Claude Hopkins and his orchestra to play for his customers. Two songs are sung, and the Four Step Brothers tap dance in... See full summary »
Claude Hopkins Orchestra,
Benchley, a newspaper columnist who writes on issues of etiquette, receives a telephone call from two men working deep in a manhole, they who are arguing about what to do if a woman fell into their manhole while they're eating. One argues that they should stand up, the other arguing that they should tip their hat. Although they don't ask, Benchley also gives them advice on the proper etiquette surrounding telling a story that someone wants to hear, making introductions of people at church functions, and how to treat weekend guests in your home. Written by
(At around 9 minutes) Mr. Benchley is talking to the butler. When Mr. Benchley is leaving the room he kicks something that looks like a hockey puck. Most likely used to mark the actor's place on stage. See more »
This MGM-Benchley short was the follow-up to the Academy Award Winning "How to Sleep". While the first film had a unifying theme, this film is a group of unrelated scenes that are lazily tied together with the theme "How to Behave". This short was early in the Benchley series and the right formula for the Benchley one-reeler hadn't been perfected yet. The shorts do get better as the series developed. Benchley is at his best addressing the audience in an embarrassed way. These one-reelers are the best opportunity to see what Benchley was all about. In features, he seems to get lost in supporting roles and his droll comedy is often overshadowed by the feature. These shorts are pure undiluted Benchley. This short is not bad, but I hope it is not the viewer's first exposure to Benchley.
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