An evil ranch foreman tries to provoke a range war by playing two cattlemen against each other while helping a gang to rustle the cattle. Each cattleman blames the other for missing cattle.... See full summary »
On a cattle drive Hoppy, camp cook Windy, companion Lucky, and young Artie Peters encounter an eccentric professor. The professor professes to be searching for the evolutionary missing link... See full summary »
George 'Gabby' Hayes,
Joe Weller has instigated a conflict over water rights between two ranchers. The idea is to have the ranchers do each other in then move in and take over. Hoppy and the good guys won't let this happen.
When a miner is murdered before he can file his claim, Editor Saunders sends for Hoppy. Now the new Marshal, Hoppy learns Lilli Marsh owns the murdered miner's claim and her henchman Blackie was the killer. After Hoppy and the ranchers take care of Blackie's gang, Hoppy goes alone to face Blackie and Lilli. Written by
Maurice VanAuken <email@example.com>
At the beginning of the film when Peg Leg arrives in town, in a couple of the shots Irving Bacon's right foot is clearly visible behind him, indicating that the bottom half of his right leg has been strapped behind him. See more »
[referring to Lilli interacting with Cassidy]
Say, look at Lilli! She don't know whether to kiss the new marshal or kill 'em!
[with a sigh]
I wish I had my chance!
See more »
The most visually satisfying film in the series was recycled.
Apple-eating killers, great costumes for the female villain (a different, dazzling costume for almost every scene) and the impressive California Sierras make this Hopalong Cassidy adventure one of the best of the 60. It was so good in fact that Harry Sherman and his crew recycled the plot elements in another fairly good Hopalong titled, Wide Open Town. Although Hopalong Cassidy Returns is by far the better of the two, not only by virtue of being first, but also because more money was spent on the production and each had a different director: Nate Watt for HCR and Lesley Selander for WOT.
The dark-haired Miss Brent in satin and sequins plays well against the shimmering, silvery haired William Boyd. Their final scene is worth waiting for, if not for the emotional content then for the technical aspects of lighting and photography.
You won't see another like it in the series.
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