Ranch owner Sally Jordan is engaged in a fence war with rancher Big John Trumbull. Hoppy and Johnny, along with trusty sidekick Windy, side with Sally Jordan. They control a huge cattle stampede by using dynamite.
George 'Gabby' Hayes
Belle Langtry runs a town being taken over by cattle rustlers. She is also a front for the outlaws, who are led by Steve Fraser. Hoppy gets elected sheriff and cleans up the town with help from the Bar 20 boys.
Buck Colins heads a group of local ranchers who are trying to prevent the railroad from completing its line through their property. Till now they have been able to charge tolls on herds ... See full summary »
A former Bar 20 cowhand is now a cattle rancher and having trouble with rustlers. Hoppy and the Bar 20 gang ride in and surround the the bad guys. June Winters joins the posse and serves as the romantic partner for posse co-leader Lucky.
When a miner is murdered before he can file his claim, Editor Saunders sends for Hoppy. Now the new Marshal, Hoppy learns Lilli Marsh owns the murdered miner's claim and her henchman Blackie was the killer. After Hoppy and the ranchers take care of Blackie's gang, Hoppy goes alone to face Blackie and Lilli. Written by
Maurice VanAuken <email@example.com>
The seventh of sixty-six Hopalong Cassidy movies. See more »
At the beginning of the film when Peg Leg arrives in town, in a couple of the shots Irving Bacon's right foot is clearly visible behind him, indicating that the bottom half of his right leg has been strapped behind him. See more »
The most visually satisfying film in the series was recycled.
Apple-eating killers, great costumes for the female villain (a different, dazzling costume for almost every scene) and the impressive California Sierras make this Hopalong Cassidy adventure one of the best of the 60. It was so good in fact that Harry Sherman and his crew recycled the plot elements in another fairly good Hopalong titled, Wide Open Town. Although Hopalong Cassidy Returns is by far the better of the two, not only by virtue of being first, but also because more money was spent on the production and each had a different director: Nate Watt for HCR and Lesley Selander for WOT.
The dark-haired Miss Brent in satin and sequins plays well against the shimmering, silvery haired William Boyd. Their final scene is worth waiting for, if not for the emotional content then for the technical aspects of lighting and photography.
You won't see another like it in the series.
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