Alfred Boulard, a good-natured electrician, gives his blood to save Mona Thalia, a great theater actress. Mona Thalia survives and Boulard becomes the man of the hour. Grateful to him, Mona... See full summary »

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Cast

Cast overview, first billed only:
...
Alfred Boulard / Himself
Elvire Popesco ...
Mona Thalia
André Alerme ...
François-Théophile Cormier de la Creuse (as Alerme)
...
Suzanne Petit
Marcel Vallée ...
Vergoulet
Marguerite Deval ...
Mme Christoforo
Renée Devillers ...
Fanny Couvrain - la fille aux fleurs
Marcelle Géniat ...
Alphonsine Boulard - la mère d'Alfred
Pierre Sergeol ...
La Breloque (as Sergeol)
Jacques Grétillat ...
M. Legal
...
Le colonial
Sinoël ...
Le fonctionnaire à la retraite
Raymond Aimos ...
Le vieux cabot
Robert Pizani ...
Le poète efféminé (as Pizani)
Fernand Fabre ...
Le peintre à la réception
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Storyline

Alfred Boulard, a good-natured electrician, gives his blood to save Mona Thalia, a great theater actress. Mona Thalia survives and Boulard becomes the man of the hour. Grateful to him, Mona helps Alfred to become a singing star. But his fame will be short-lived. Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Musical

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Details

Country:

Language:

Release Date:

20 November 1940 (USA)  »

Also Known As:

O Homem do Dia  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(RCA Victor High Fidelity System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Finnish censorship visa # 020254. See more »

Soundtracks

Ma Pomme
Music by Charles Borel-Clerc
Lyrics by Georges Fronsac and Lucien Rigot
Performed by Maurice Chevalier
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User Reviews

Everything is relative.
14 June 2003 | by See all my reviews

This is a minor work in Duvivier's canon:a John Doe (Maurice Chevalier)becomes a star's protégé when he saves her life by giving his blood.But the hero's rise to fame will be short-lived.Duvivier's pessimism occasionally surfaces when he describes human ungratefulness,and there's a great contrast between the world of the chic remote grande dame (Elvire Popesco)and the man's modest old lady ,proud of her son.

Everything is relative.Duvivier used to release a masterwork a year in the thirties golden years ;along with Carné,Renoir,et al,he used to write the history of the French cinema in which "l'homme du jour" was nothing but a footnote.


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